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Gogol is unaccustomed to this sort of talk at mealtimes, to the indulgent ritual of the lingering meal, and the pleasant aftermath of bottles and crumbs and empty glasses that clutter the table.
Jhumpa Lahiri
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Jhumpa Lahiri
Age: 57
Born: 1967
Born: July 11
Academic
Actor
Author
Novelist
Screenwriter
University Teacher
Writer
London
England
Jūmpā Lāhīrī
Nilanjana Svadeshna Lahiri
Nilanjana Sudeshna Lahiri
Jhumba Lahiri
Pleasant
Lingering
Glasses
Aftermath
Tables
Clutter
Empty
Meal
Unaccustomed
Sort
Bottles
Gogol
Talk
Ritual
Indulgent
Meals
Table
Crumbs
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She had listened to him, partly sympathetic, partly horrified. For it was one thing for her to reject her background, to be critical of her family's heritage, another to hear it from him.
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Relationships do not preclude issues of morality.
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If I stop to think about fans, or best-selling, or not best-selling, or good reviews, or not-good reviews, it just becomes too much. It's like staring at the mirror all day.
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I wanted to pull away from the things that marked my parents as being different.
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I would not send a first story anywhere. I would give myself time to write a number of stories.
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And yet she could not forgive herself. Even as an adult, she wished only that she could go back and change things: the ungainly things she’d worn, the insecurity she’d felt, all the innocent mistakes she made.
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She learned that an act intended to express love could have nothing to do with it. That her heart and her body were different things.
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The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.
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Most people trusted in the future, assuming that their preferred version of it would unfold. Blindly planning for it, envisioning things that weren't the case. This was the working of the will. This was what gave the world purpose and direction. Not what was there but what was not.
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When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
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Try to remember it always, he said once Gogol had reached him, leading him slowly back across the breakwater, to where his mother and Sonia stood waiting. Remember that you and I made this journey together to a place where there was nowhere left to go.
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In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
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Do what I will never do.
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There were times Ruma felt closer to her mother in death than she had in life, an intimacy born simply of thinking of her so often, of missing her. But she knew that this was an illusion, a mirage, and that the distance between them was now infinite, unyielding.
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I've seen novels that have grown out of one story in a collection. But it hasn't occurred to me to take any of those stories and build on them. They seem very finished for me, so I don't feel like going back and dredging them up.
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The knowledge of death seemed present in both sisters-it was something about the way they carried themselves, something that had broken too son and had not mended, marking them in spite of their lightheartedness.
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It is a magical thing for a handful of words, artfully arranged, to stop time. To conjure a place, a person, a situation, in all its specificity and dimensions. To affect us and alter us, as profoundly as real people and things do.
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