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[As an actor] you're looking to crawl into an anonymous fictional person's skin, but then you have the ironic obligation to promoting the movie in such a public way that it almost undermines the initial intention of going under the radar.

Jesse Eisenberg

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Jesse Eisenberg
Age: 41
Born: 1983
Born: October 5
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Queens
New York
Jesse Adam Eisenberg
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Crawl
Actors
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More quotes by Jesse Eisenberg

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I feel like when I was 13 and I had to go to bar mitzvahs every weekend. This is the same feeling. You have to put on a suit every weekend to go meet with a bunch of Jews.
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I think it's my nature to - every time I hear about an award or a nomination, it makes me realize how much I must've been losing before, because I was not aware that every major city had these critics' awards.
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In 'Zombieland,' it was such a freewheeling plot it almost didn't matter what the characters were doing scene to scene as long as there was a consistent banter.
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I'm kind of shocked any time somebody hires me and even more shocked any time somebody hires me to play a character like Lex Luthor, which I only knew from the public consciousness of him being a bald, brooding villain who is older than me.
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Who walks around proud of things they've done? That's an obnoxious quality.
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Working in the arts, you see people who come from terrible circumstances and who, for whatever reason, have incredible talent. But of course, with that great talent comes some guilt because, if you come from circumstances that don't encourage it, it can be really confusing.
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If you look at the movies that come out, most of them are bad, so it's not as if achieving some level of success means you get offered better roles, because frankly they don't seem to exist.
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Acting is a weird profession. It's very disquieting, and at the time it just made me so confused. It's only when you step away from a movie for several weeks or months that you start to put things in perspective.
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People think, 'You're an actor, you can afford clothes,' but I just try to take the clothes from the movie, which makes the selecting of film projects that much more difficult, because you try to play characters that might wear something you'd want to wear.
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Any time you play a character for a long period of time, regardless of how close it is to you, it infiltrates your life. It's impossible for it not to.
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I don't attribute an actor's great success to their own individual performance when it's something as collaborative as a movie.
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I'm hardly the most notable person in 'Zombieland.' The other actors in it are way more famous than I am.
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The frustrating part of being a movie actor is waiting in your trailer to do two takes of a scene you've prepared for two months.
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When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
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It's a really unique acting opportunity to play two roles who are not only interacting with each other, but vastly different.
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I write plays instinctively. I don't like writing movie scripts.
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The only suggestions I get on my plays is to make them more of what they already are, and that's wonderful.
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When you take on a role, even if the character is somebody that you are dissimilar to, you have to identify with the role and look for an emotional connection even if there is not a biographical one.
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In those moments where you're not quite sure if the undead are really dead, dead, don't get all stingy with your bullets. I mean, one more clean shot to the head, and this lady could have avoided becoming a human Happy Meal. Woulda... coulda... shoulda.
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First rule of magic? Always be the smartest guy in the room.
Jesse Eisenberg