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When you are in a live-action movie, you have so many more options to express yourself. You can use your body and your gestures and facial expressions. When you are doing an animated movie, you really only have your voice.

Jesse Eisenberg

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Jesse Eisenberg
Age: 41
Born: 1983
Born: October 5
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Queens
New York
Jesse Adam Eisenberg
Action
Animated
Body
Options
Live
Gestures
Many
Express
Really
Expression
Movie
Voice
Facial
Use
Expressions

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I don't follow sports that much now, but I was a Phoenix Suns fanatic in the early '90s.
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A lot of times the character's experience is not in accordance with the tone of the movie and it's not really my job to account for the tone of the movie. That's the director's job.
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I don't watch the movies I'm in - ever. Sometimes I keep pictures, but that's it. I used to watch my movies, because I didn't want to be rude to the people making them, but I stopped a few years ago. I think it's pretty common among actors. It's like listening to your own voice, but multiplied by a million.
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I don't understand capri pants. They seem like neither here nor there.
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I feel like when I was 13 and I had to go to bar mitzvahs every weekend. This is the same feeling. You have to put on a suit every weekend to go meet with a bunch of Jews.
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I'm kind of shocked any time somebody hires me and even more shocked any time somebody hires me to play a character like Lex Luthor, which I only knew from the public consciousness of him being a bald, brooding villain who is older than me.
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The scariest people to turn a movie over to are always the people who are drawing up the poster, because that's the first impression it's going to make. And very often it's portraying a very different film from the one the actors actually did.
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There’s something strange about theater. My characters consistently demonize elitism, but of course it’s taking place in a theater where only so many people can see it. I’ve been in silly popcorn movies - the kind of thing that as an actor you might feel embarrassed about - but those movies reach many more people.
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In 'Zombieland,' it was such a freewheeling plot it almost didn't matter what the characters were doing scene to scene as long as there was a consistent banter.
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I purposefully isolate myself from anything that has to do with any press. I don't read any press about myself.
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I feel things can always be funny, but that's probably because I have some kind of leftover childhood need to make people laugh. For somebody like me, that's the thing you excel at.
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The only suggestions I get on my plays is to make them more of what they already are, and that's wonderful.
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People think, 'You're an actor, you can afford clothes,' but I just try to take the clothes from the movie, which makes the selecting of film projects that much more difficult, because you try to play characters that might wear something you'd want to wear.
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First rule of magic? Always be the smartest guy in the room.
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When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
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Poor people are gross and they 'smell bad
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As an actor, if I show up late somewhere or I say something that's eccentric, it's totally acceptable - not only that, it's lauded in some perverse way.
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It's a struggle for me to watch things I've been in because I'm just distracted and self-critical.
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As an actor, you have to be open to doing things where you look stupid, to be experimental.
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I don't go to movies, I don't own a television, I don't buy magazines and I try not to receive mail, so I'm not really aware of popular culture.
Jesse Eisenberg