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When you are in a live-action movie, you have so many more options to express yourself. You can use your body and your gestures and facial expressions. When you are doing an animated movie, you really only have your voice.
Jesse Eisenberg
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Jesse Eisenberg
Age: 41
Born: 1983
Born: October 5
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Queens
New York
Jesse Adam Eisenberg
Really
Expression
Movie
Voice
Facial
Use
Expressions
Action
Animated
Body
Options
Live
Gestures
Many
Express
More quotes by Jesse Eisenberg
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Actors dread working with studios because they dictate what you do in a way that independent movies can't.
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Everyone's a geek in some way or other. Everyone's an outsider.
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If I get no sleep the night before a show, I feel that performance is the best one.
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I think I prioritize other people's opinions of me very highly, which is not necessarily a good thing - it's a thing that causes a lot of anxiety.
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If you're acting, then there's a prescribed way to behave whereas in life there's no prescribed way. So acting feels like a comfortable way to get through the day.
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There’s something strange about theater. My characters consistently demonize elitism, but of course it’s taking place in a theater where only so many people can see it. I’ve been in silly popcorn movies - the kind of thing that as an actor you might feel embarrassed about - but those movies reach many more people.
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As an actor, you try to bring as much of yourself to a part to try and create a feeling of authenticity and emotional truth and resonance.
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The only way to be turned off to being famous is to be famous.
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I grew up in a secular suburban Jewish household where we only observed the religion on very specific times like a funeral or a Bar Mitzvah.
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The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.
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I tend to prefer the smaller movies because they shoot more efficiently and so you're are able to maintain that momentum of the character a little more easily.
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I don't attribute an actor's great success to their own individual performance when it's something as collaborative as a movie.
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I can't watch myself in interviews. I feel like I look like a wreck. My mom is always calling me and going, 'Stop fidgeting,' and it's like, 'You have no idea what it's like, Mom.'
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My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
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I'm kind of shocked any time somebody hires me and even more shocked any time somebody hires me to play a character like Lex Luthor, which I only knew from the public consciousness of him being a bald, brooding villain who is older than me.
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I grew up in an apolitical household. I never left the country. When I became an adult, I started traveling and became interested in politics, and I probably talked about things in a silly, ignorant way.
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In 'Zombieland,' it was such a freewheeling plot it almost didn't matter what the characters were doing scene to scene as long as there was a consistent banter.
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I purposefully isolate myself from anything that has to do with any press. I don't read any press about myself.
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People think, 'You're an actor, you can afford clothes,' but I just try to take the clothes from the movie, which makes the selecting of film projects that much more difficult, because you try to play characters that might wear something you'd want to wear.
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