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Actors dread working with studios because they dictate what you do in a way that independent movies can't.

Jesse Eisenberg

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Jesse Eisenberg
Age: 41
Born: 1983
Born: October 5
Actor
Film Actor
Stage Actor
Television Actor
Voice Actor
Queens
New York
Jesse Adam Eisenberg
Dictate
Dread
Studios
Independent
Movies
Working
Actors
Way

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Everybody feels like they need a photograph because we're in a generation where, if you don't document it, it didn't occur. So you've got to stop and take a picture with everybody.
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Don't be a hero, live to fight another day.
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When you're acting in a movie, you never consider the reception of it. It's impossible to predict how something will be received. Even if you think it's the greatest thing in the world, other people might not like it. Or agree with it.
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I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
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In those moments where you're not quite sure if the undead are really dead, dead, don't get all stingy with your bullets. I mean, one more clean shot to the head, and this lady could have avoided becoming a human Happy Meal. Woulda... coulda... shoulda.
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The only suggestions I get on my plays is to make them more of what they already are, and that's wonderful.
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It's a very strange experience to watch yourself in a movie anyway. I most frequently don't do it, but if I was going to do it, I would do it in a private way, not at a public screening at a film festival, which is just an overwhelming experience.
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I feel things can always be funny, but that's probably because I have some kind of leftover childhood need to make people laugh. For somebody like me, that's the thing you excel at.
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Devils don't come from hell beneath us, they come from the sky.
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I feel very guilty doing magic because you're deceiving somebody.
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I don't attribute an actor's great success to their own individual performance when it's something as collaborative as a movie.
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As an actor, you try to bring as much of yourself to a part to try and create a feeling of authenticity and emotional truth and resonance.
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When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
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I feel equal parts lucky and scared anytime I get a job.
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I personally don’t feel the need to be radical for its own sake, but I probably couldn’t if I tried anyway.
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I tend to prefer the smaller movies because they shoot more efficiently and so you're are able to maintain that momentum of the character a little more easily.
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I can't watch myself in interviews. I feel like I look like a wreck. My mom is always calling me and going, 'Stop fidgeting,' and it's like, 'You have no idea what it's like, Mom.'
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I grew up in a secular suburban Jewish household where we only observed the religion on very specific times like a funeral or a Bar Mitzvah.
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I don't go to movies, I don't own a television, I don't buy magazines and I try not to receive mail, so I'm not really aware of popular culture.
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First rule of magic? Always be the smartest guy in the room.
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