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He considered it a shame when people couldn't grasp the infinite-a failure not just of imagination but of simple vision.

Jess Walter

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Jess Walter
Age: 59
Born: 1965
Born: July 20
Author
Journalist
Novelist
Writer
Spokane
Washington
Shame
Infinite
Failure
Couldn
Vision
Imagination
Simple
Grasp
People
Considered

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The first seven years that I wrote fiction, I sent out stories and a novel and made a total of $25.
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If a police officer arrests a mime, does he need to tell him he has the right to remain silent.
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I quickly decided my zombies weren't really zombies. It was instead something you called people who were on this club drug, who then exhibited aggressive behaviors. And then like everyone who writes about zombies, I found it was so much fun.
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I think so, too. I know I felt that way. For years. It was as if I was a character in a movie and the real action was about to start at any minute. But I think some people wait forever, and only at the end of their lives do they realize that their life has happened while they were waiting for it to start.
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At peace? Who but the insane would ever be at peace? What person who has enjoyed life could possibly think one is enough? Who could live even a day and not feel the sweet ache of regret?
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For many people it's Facebook, or sports on TV, whatever it is. I have my own demons that I battle. But whatever they are, you wish you could not do them. For most of us it's I cannot get off Facebook. But imagine that your demon has you living on the street. I don't think those compulsions and obsessions are that different.
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I think suspense should be like any other color on a writers palette. I suppose Im in the minority but I think its crazy for literary fiction to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.
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His life was two lives now: the life he would have and the life he would forever wonder about.
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The first fiction I ever wrote was short stories. I was writing short stories in my late teens and early twenties, and I think it's how you teach yourself to write.
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Maybe every couple lived in the gaps between conversations, unable to say the important things for fear they had already been said, or couldn't be said maybe every relationship started over every time two people came together.
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What business does memory have with time?
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I wrote short stories for seven years and used to mail them out. You couldn't send them by e-mail. I called them manila boomerangs. I'd seal the self-addressed stamped envelope inside an envelope and I'd mail it off, and it would come back six weeks later with a rejection letter in it.
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And because he felt like he might burst open and because he lacked the dexterity in English to say all that he was thinking--how in his estimation, the more you lived the more regret and longing you suffered, that life was a glorious catastrophe--Pasquale Tursi said, only, Yes.
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Maybe it's ALWAYS the end of the world. Maybe you're alive for a while, and then you realize you're going to die, and that's such an insane thing to comprehend, you look around for answers and the only answer is that the world must die with you.
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No one gets to tell you what your life means!
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He found himself in habiting the vast, empty plateau where most people live, between boredom and contentment.
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There are only two good outcomes for a quest like this, the hope of the serendipitous savant — sail for Asia and stumble on America — and the hope of scarecrows and tin men: that you find out you had the thing you sought all along.
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I've been a dad since I was nineteen, so I think a lot about fatherhood and the power of that sacrifice in your life.
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Life, he thought, is a blatant act of imagination.
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The stories tend to be what I work on when I'm stuck. Something will just pop into my head and I'll think that's more of a story.
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