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I think of my photographs as being obviously symbolic, but not symbolically obvious.

Jerry Uelsmann

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Jerry Uelsmann
Age: 90
Born: 1934
Born: June 11
Photographer
Detroit
Michigan
Jerry N. Uelsmann
Jerry Norman Uelsmann
Think
Thinking
Symbolically
Symbolic
Photographs
Obviously
Photograph
Obvious

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I'm really very concerned with helping to create an attitude of freedom and daring toward the craft of photography.
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All knowledge is self-reflective.
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Let us not be afraid to allow for post-visualization. By post-visualization I refer to the willingness on the part of the photographer to revisualize the final image at any point in the entire photographic process.
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Of course, in order to make art, the frustration of not working has to be greater than the frustration of working.
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The creative process can sustain itself throughout the entire celebration of photography.
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The camera basically is a license to explore.
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My visual quest is driven by a desire to create a universe capable of supporting feelings and ideas.
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I think of many of my photographs as being obviously symbolic but not symbolically obvious. There isn't any specific correlation between the symbols in this image and any content that I have in mind.
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My creative process begins when I get out with the camera and interact with the world. A camera is truly a license to explore. There are no uninteresting things. There are just uninterested people.
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The goal of the artist is not to resolve life's mysteries, but to deepen them.
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I have gradually confused photography and life and as a result of this I believe I am able to work out of myself at an almost precognitive level.
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Editions made sense when people worked with engravings where the plate wore down as prints were made. An early number of the edition had slightly better quality. But that's not the case with photography. To me, it's a false way of creating value.
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It is the illusion of knowledge, not ignorance, that keeps one from growing.
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It's equally hard and labor intensive to create an image on the computer as it is in a darkroom. Believe me.
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When the entire process becomes a prescribed ritual that does not allow for spontaneous variations and reactions, the vitality of the medium and our relation to it suffers.
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The truth is that one is more frequently blessed with ideas while working.
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The camera is a fluid way of encountering that other reality
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I've learned over the years that when you get a clue to another possibility to follow it through.
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