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Anybody who writes knows the horrible, wonderful, beautiful foulness that comes every week. A lot of moaning, screaming agony - Oh my god, the deadline's coming.

Jerry Saltz

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Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
Coming
Foulness
Week
Moaning
Wonderful
Deadline
Comes
Screaming
Beautiful
Agony
Writing
Writes
Every
Horrible
Anybody

More quotes by Jerry Saltz

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There's a lot of hate mail from readers. There's hate mail, threats, stalkers... I think that I'm bulletproof every week when I've turned something in. I think, I'm a god.
Jerry Saltz
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One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The other claims that when money ebbs, so do prospects for women.
Jerry Saltz
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The art world is molting - some would say melting. Galleries are closing museums are scaling back.
Jerry Saltz
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The Met is not only the finest encyclopedic museum of art in the United States it is arguably the finest anywhere.
Jerry Saltz
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It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
Jerry Saltz
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Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good.
Jerry Saltz
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It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.
Jerry Saltz
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Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their work.
Jerry Saltz
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I know it's dangerous to take on bloggers. They can go after you every day, all day long, and anonymous people can chime in, too.
Jerry Saltz
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Batty as it sounds, subject and style may choose artists, through some unfathomable cosmic means. How else to explain that even artists who enjoy what they do can be perplexed or even horrified that they're doing it?
Jerry Saltz
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I have a soft spot for art that, in terms of subject matter and material, is in bad taste.
Jerry Saltz
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Probably only an art-worlder like me could assign deeper meaning to something as simple and silly as Tebowing. But, to us, anytime people repeat a stance or a little dance, alone or together, we see that it can mean something. Imagistic and unspoken language is our thing.
Jerry Saltz
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Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.
Jerry Saltz
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Can space break? I mean the space of art galleries. Over the past 100 years, art galleries have gone from looking like Beaux Arts salons to simple storefronts to industrial lofts to the gleaming giant white cubes of Chelsea with their shiny concrete floors.
Jerry Saltz
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Koons's work has always stood apart for its one-at-a-time perfection, epic theatricality, a corrupted, almost sick drive for purification, and an obsession with traditional artistic values.
Jerry Saltz
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Abstraction is one of the greatest visionary tools ever invented by human beings to imagine, decipher, and depict the world.
Jerry Saltz
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Giant group events are distorting organisms: You can like and hate them in rapid succession.
Jerry Saltz
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Ofili is still a champion. It would be a huge mistake to think otherwise.
Jerry Saltz
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To me, nothing in the art world is neutral. The idea of 'disinterest' strikes me as boring, dishonest, dubious, and uninteresting.
Jerry Saltz
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While a large segment of the art world has obsessed over a tiny number of stars and their prices, an aesthetic shift has been occurring. It's not a movement - movements are more sure of themselves. It's a change of mood or expectation, a desire for art to be more than showy effects, big numbers, and gamesmanship.
Jerry Saltz