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Being critical of art is a way of showing art respect.
Jerry Saltz
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Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
Showing
Critical
Respect
Art
Way
More quotes by Jerry Saltz
Koons's work has always stood apart for its one-at-a-time perfection, epic theatricality, a corrupted, almost sick drive for purification, and an obsession with traditional artistic values.
Jerry Saltz
Robert Rauschenberg was not a giant of American art he was the giant. No American created so many aesthetic openings for so many artists.
Jerry Saltz
After too much art that made too much sense, artists are operating blind again. They're more interested in the possible than the probable, the private that speaks publicly rather than the public with no private side at all.
Jerry Saltz
I have never really cooked, don't know how to use my dishwasher, and subsist mainly on prepared deli takeout. I don't even eat in restaurants much.
Jerry Saltz
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.
Jerry Saltz
The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand.
Jerry Saltz
As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.
Jerry Saltz
The price of a work of art has nothing to do with what the work of art is, can do, or is worth on an existential, alchemical level.
Jerry Saltz
Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art.
Jerry Saltz
My culture-deprived, aspirational mother dragged me once a month from our northern suburb - where the word art never came up - to the Art Institute of Chicago. I hated it.
Jerry Saltz
Energy and art go where they will.
Jerry Saltz
Artschwager's art always involves looking closely at surfaces, questions what an object is, wants to make you forget the name of the thing you're looking at so that it might mushroom in your mind into something that triggers unexpected infinities.
Jerry Saltz
Those who love him love that he sells the most art they take it as a point of faith that this proves Kinkade is the best. But his fans don't only rely on this supply-and-demand justification. They go back to values.
Jerry Saltz
In some ways Lawler is a conceptual Diane Arbus. She's a stalker who takes advantage of situations. She pulls back curtains, causing normal things to look freakish and the freakish to turn mundane.
Jerry Saltz
Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their work in spaces similar to the ones the art was made in.
Jerry Saltz
Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style.
Jerry Saltz
Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown's gallery floor in 2007, creating amazing hyperrealist wallpaper for a group show at Tony Shafrazi: It all percolates with uncanny destructiveness, operatic uncontrollability, and barbaric sculptural power.
Jerry Saltz
The secret of food lies in memory - of thinking and then knowing what the taste of cinnamon or steak is.
Jerry Saltz
The art world is molting - some would say melting. Galleries are closing museums are scaling back.
Jerry Saltz
Once artists are expected to shock, it's that much harder for them to do so.
Jerry Saltz