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Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.

Jerry Saltz

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Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
Generally
Fifties
Early
Heights
Coming
Abstraction
Strong
Gates
Willem
Art
Forty
Painterly
Height
Revolutionizing
Reaching
Credited
Incredible
Forties

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Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.
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I have a soft spot for art that, in terms of subject matter and material, is in bad taste.
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I have never really cooked, don't know how to use my dishwasher, and subsist mainly on prepared deli takeout. I don't even eat in restaurants much.
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Rumors sound of galleries asking artists for upsized art and more of it. I've heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast.
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The price of a work of art has nothing to do with what the work of art is, can do, or is worth on an existential, alchemical level.
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Marlene Dumas is one of the two or three most successful female artists alive, if you judge by prices. I've never reviewed her work, because I find nothing in it to get excited about no matter how hard I look.
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In the late nineties, Katy Grannan began making haunting photographs of people who had extraordinary inner yens to be seen by strangers.
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A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
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I think that a lot of artists have succeeded in making what I might call curator's art. Everybody's being accepted, and I always want to say, Really? That's what you've come for? To make art that looks a lot like somebody else's art? If I am thinking of somebody else's art in front of your art, that's a problem.
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I just want to say one thing about the '70s. Enough with this purer, It was a better time, business. Every time is about as polluted and needy and beautiful as most other times. I was around in the '70s, and people were just as ambitious and envious and filled with need and desire as they are today.
Jerry Saltz
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My culture-deprived, aspirational mother dragged me once a month from our northern suburb - where the word art never came up - to the Art Institute of Chicago. I hated it.
Jerry Saltz
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I often find myself privately stewing about much British art, thinking that except for their tremendous gardens, that the English are not primarily visual artists, and are, in nearly unsurpassable ways, literary.
Jerry Saltz
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Anybody who writes knows the horrible, wonderful, beautiful foulness that comes every week. A lot of moaning, screaming agony - Oh my god, the deadline's coming.
Jerry Saltz
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When money and hype recede from the art world, one thing I won't miss will be what curator Francesco Bonami calls the 'Eventocracy.' All this flashy 'art-fair art' and those highly produced space-eating spectacles and installations wow you for a minute until you move on to the next adrenaline event.
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I know it's dangerous to take on bloggers. They can go after you every day, all day long, and anonymous people can chime in, too.
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Make an enemy of jealousy and envy. As fast and soon as you can…. The art world is high school with money.
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All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy.
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Ofili is still a champion. It would be a huge mistake to think otherwise.
Jerry Saltz
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These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.
Jerry Saltz
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The art world is an all-volunteer force. No one has to be here if he or she doesn't want to be, and we should be associating with anyone we want to.
Jerry Saltz