Quote

New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.

Jerry Saltz

Change background

T
T
T

Change font

TAGS & TOPICS

Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
Museums
Clarity
Block
Architectural
York
Unavoidable
Certainly
Horizontal
Means
Vertical
Mean
Blocks
Stumbling

More quotes by Jerry Saltz

Image
Sometimes good art jumps out at me most of the time I see bad art, or see nothing at all and just drift, feeling weird, pretending to be fine.
Jerry Saltz
Image
Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art.
Jerry Saltz
Image
I am all for art's finding a large audience. But the way that's happening now, with big works filling big galleries and bigger shows, is mostly stopping statements from being made. Or heard. Or talked about. Or really examined. It's watering things down.
Jerry Saltz
Image
There's a lot of hate mail from readers. There's hate mail, threats, stalkers... I think that I'm bulletproof every week when I've turned something in. I think, I'm a god.
Jerry Saltz
Image
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.
Jerry Saltz
Image
The Met is not only the finest encyclopedic museum of art in the United States it is arguably the finest anywhere.
Jerry Saltz
Image
Put yourself in the position of an up-and-coming artist living in early-sixteenth-century Italy. Now imagine trying to distinguish yourself from the other artists living in your town: Michelangelo, Raphael, Leonardo, or Titian. Is it any wonder that the Italian High Renaissance lasted only 30 years?
Jerry Saltz
Image
These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.
Jerry Saltz
Image
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
Jerry Saltz
Image
Don't talk. I can't hear myself see.
Jerry Saltz
Image
Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial or unintentional lie all of these years when it comes to conflicts of interest.
Jerry Saltz
Image
My culture-deprived, aspirational mother dragged me once a month from our northern suburb - where the word art never came up - to the Art Institute of Chicago. I hated it.
Jerry Saltz
Image
Once artists are expected to shock, it's that much harder for them to do so.
Jerry Saltz
Image
Ofili is still a champion. It would be a huge mistake to think otherwise.
Jerry Saltz
Image
Every movement that slays its gods creates new ones, of course. I loathe talk of the sixties and seventies being a 'Greatest Generation' of artists, but if we're going to use such idiotic appellations, let this one also be applied to the artists, curators, and gallerists who emerged in the first half of the nineties.
Jerry Saltz
Image
I hate when dealers talk to me. I love dealers - they're some of our favorite people in the art world. But I hate if they do a sales pitch on me. I can't stand it.
Jerry Saltz
Image
Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries.
Jerry Saltz
Image
The art world is molting - some would say melting. Galleries are closing museums are scaling back.
Jerry Saltz
Image
In the seventies, a group of American artists seized the means not of production but of reproduction. They tore apart visual culture at a time of no money, no market, and no one paying attention except other artists. Vietnam and Watergate had happened everything in America was being questioned.
Jerry Saltz
Image
My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically in public.
Jerry Saltz