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My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic love letter to all other movies - is Christian Marclay's endlessly enticing must-see masterpiece 'The Clock.'

Jerry Saltz

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Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
Made
Movie
Endlessly
Years
Maybe
Masterpiece
Love
Year
Letter
Actors
Essentially
Christian
Clock
Best
Letters
Enticing
Ever
Picture
Nominee
Must
Movies
Ecstatic

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Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style.
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While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and curators who are simply not up to the term.
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Summer is a great time to visit art museums, which offer the refreshing rinse of swimming pools - only instead of cool water, you immerse yourself in art.
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After too much art that made too much sense, artists are operating blind again. They're more interested in the possible than the probable, the private that speaks publicly rather than the public with no private side at all.
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I've always said that an art critic can put aside politics around art.
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Make an enemy of jealousy and envy. As fast and soon as you can…. The art world is high school with money.
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I hate when dealers talk to me. I love dealers - they're some of our favorite people in the art world. But I hate if they do a sales pitch on me. I can't stand it.
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Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film.
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Megacollectors suppose they can enter art history by spending astronomical amounts.
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Although I adore the Italian High Renaissance, I'd rather look at Mannerism. The former is ordered, integrated, otherworldly, and grandiose it leaves you feeling hungry for something flawed and of-the-flesh.
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Ofili is still a champion. It would be a huge mistake to think otherwise.
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The Met is not only the finest encyclopedic museum of art in the United States it is arguably the finest anywhere.
Jerry Saltz
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Sometimes good art jumps out at me most of the time I see bad art, or see nothing at all and just drift, feeling weird, pretending to be fine.
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All art comes from other art, and all immigrants come from other places.
Jerry Saltz
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Nearly a half-century on from feminism, simply being a woman artist is still a revolutionary act. And getting one's work shown continues to be met by enormous inbuilt resistance.
Jerry Saltz
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I think that a lot of artists have succeeded in making what I might call curator's art. Everybody's being accepted, and I always want to say, Really? That's what you've come for? To make art that looks a lot like somebody else's art? If I am thinking of somebody else's art in front of your art, that's a problem.
Jerry Saltz
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Art is good, bad, boring, ugly, useful to us or not. It does or doesn't disturb optical monotony, and succeeds or fails in surmounting sterility of style or visual stereotype it creates new beauty or it doesn't.
Jerry Saltz
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I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's 'Younger Than Jesus' last year and ran through the Whitney Biennial, and I'm seeing it blossom and bear fruit at 'Greater New York,' MoMA P.S. 1's twice-a-decade extravaganza of emerging local talent.
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Scandal is only human.
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I have never really cooked, don't know how to use my dishwasher, and subsist mainly on prepared deli takeout. I don't even eat in restaurants much.
Jerry Saltz