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The secret of food lies in memory - of thinking and then knowing what the taste of cinnamon or steak is.
Jerry Saltz
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Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
Food
Knowing
Secret
Cinnamon
Lying
Steak
Thinking
Memory
Lies
Taste
Memories
More quotes by Jerry Saltz
Yes, 85 percent of the art you see isn't any good. But everyone has a different opinion about which 85 percent is bad. That in turn creates fantastically unstable interplay and argument.
Jerry Saltz
Make an enemy of jealousy and envy. As fast and soon as you can…. The art world is high school with money.
Jerry Saltz
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun, but it'll leave you only comfortably numb. For starters, it may be the whitest, straightest, most conservative show seen in a New York museum since psychedelia was new.
Jerry Saltz
I am all for art's finding a large audience. But the way that's happening now, with big works filling big galleries and bigger shows, is mostly stopping statements from being made. Or heard. Or talked about. Or really examined. It's watering things down.
Jerry Saltz
As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.
Jerry Saltz
Megacollectors suppose they can enter art history by spending astronomical amounts.
Jerry Saltz
In some ways Lawler is a conceptual Diane Arbus. She's a stalker who takes advantage of situations. She pulls back curtains, causing normal things to look freakish and the freakish to turn mundane.
Jerry Saltz
In art, scandal is a false narrative, a smoke screen that camouflages rather than reveals. When we don't know what we're seeing, we overreact.
Jerry Saltz
The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand.
Jerry Saltz
Abstraction is one of the greatest visionary tools ever invented by human beings to imagine, decipher, and depict the world.
Jerry Saltz
Energy and art go where they will.
Jerry Saltz
Sometimes good art jumps out at me most of the time I see bad art, or see nothing at all and just drift, feeling weird, pretending to be fine.
Jerry Saltz
I have never really cooked, don't know how to use my dishwasher, and subsist mainly on prepared deli takeout. I don't even eat in restaurants much.
Jerry Saltz
Put yourself in the position of an up-and-coming artist living in early-sixteenth-century Italy. Now imagine trying to distinguish yourself from the other artists living in your town: Michelangelo, Raphael, Leonardo, or Titian. Is it any wonder that the Italian High Renaissance lasted only 30 years?
Jerry Saltz
In the late nineties, Katy Grannan began making haunting photographs of people who had extraordinary inner yens to be seen by strangers.
Jerry Saltz
When museums are built these days, architects, directors, and trustees seem most concerned about social space: places to have parties, eat dinner, wine-and-dine donors. Sure, these are important these days - museums have to bring in money - but they gobble up space and push the art itself far away from the entrance.
Jerry Saltz
When money and hype recede from the art world, one thing I won't miss will be what curator Francesco Bonami calls the 'Eventocracy.' All this flashy 'art-fair art' and those highly produced space-eating spectacles and installations wow you for a minute until you move on to the next adrenaline event.
Jerry Saltz
New Yorkers only cross water for visual culture if the water is an ocean. The East River throws us for a huge loop. If we started going to Queens and the Bronx for visual culture, many of our rent, space, and crowding problems would be over indefinitely.
Jerry Saltz
Only an artist as preternaturally acute and copacetic, as oddly visionary and just odd as Richard Artschwager would be able to lay out the whole course of human evolution and have it make some kind of sense while also seeming like a dazzling insight.
Jerry Saltz
My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically in public.
Jerry Saltz