Quote

Ofili is still a champion. It would be a huge mistake to think otherwise.

Jerry Saltz

Change background

T
T
T

Change font

TAGS & TOPICS

Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
Thinking
Champion
Otherwise
Huge
Mistake
Stills
Still
Would
Think

More quotes by Jerry Saltz

Image
I know it's dangerous to take on bloggers. They can go after you every day, all day long, and anonymous people can chime in, too.
Jerry Saltz
Image
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.
Jerry Saltz
Image
The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand.
Jerry Saltz
Image
The price of a work of art has nothing to do with what the work of art is, can do, or is worth on an existential, alchemical level.
Jerry Saltz
Image
The secret of food lies in memory - of thinking and then knowing what the taste of cinnamon or steak is.
Jerry Saltz
Image
Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.
Jerry Saltz
Image
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.
Jerry Saltz
Image
I'm not for or against video - or any medium or style, for that matter.
Jerry Saltz
Image
I have a soft spot for art that, in terms of subject matter and material, is in bad taste.
Jerry Saltz
Image
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where their taste is, create their own aesthetic universes, support artists, employ people, and do all of this while letting us see art for free. Many are visionaries.
Jerry Saltz
Image
New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.
Jerry Saltz
Image
As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.
Jerry Saltz
Image
Jeffrey Deitch is the Jeff Koons of art dealers. Not because he's the biggest, best, or the richest of his kind. But because in some ways he's the weirdest (which is saying a lot when you're talking about the wonderful, wicked, lovable, and annoying creatures known as art dealers).
Jerry Saltz
Image
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy.
Jerry Saltz
Image
Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their work in spaces similar to the ones the art was made in.
Jerry Saltz
Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The other claims that when money ebbs, so do prospects for women.
Jerry Saltz
Image
Think of an abstract painting as very, very low relief - a thing, not a picture.
Jerry Saltz
Image
Marlene Dumas is one of the two or three most successful female artists alive, if you judge by prices. I've never reviewed her work, because I find nothing in it to get excited about no matter how hard I look.
Jerry Saltz
Image
Yes, 85 percent of the art you see isn't any good. But everyone has a different opinion about which 85 percent is bad. That in turn creates fantastically unstable interplay and argument.
Jerry Saltz
Image
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun, but it'll leave you only comfortably numb. For starters, it may be the whitest, straightest, most conservative show seen in a New York museum since psychedelia was new.
Jerry Saltz