Quote

I know it's dangerous to take on bloggers. They can go after you every day, all day long, and anonymous people can chime in, too.

Jerry Saltz

Change background

T
T
T

Change font

TAGS & TOPICS

Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
People
Chime
Chimes
Anonymous
Dangerous
Take
Every
Long

More quotes by Jerry Saltz

Image
Turns out Picasso's passion for uncertainty, mystery, and the thrill of life never ended.
Jerry Saltz
Image
Nearly a half-century on from feminism, simply being a woman artist is still a revolutionary act. And getting one's work shown continues to be met by enormous inbuilt resistance.
Jerry Saltz
Image
The style of ancient Egyptian art is transcendently clear, something 8-year-olds can recognize in an instant. Its consistency and codification is one of the most epic visual journeys in all art, one that lasts 30 dynasties spread over 3,000 years.
Jerry Saltz
Image
As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.
Jerry Saltz
Image
I have never really cooked, don't know how to use my dishwasher, and subsist mainly on prepared deli takeout. I don't even eat in restaurants much.
Jerry Saltz
Image
Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.
Jerry Saltz
Image
Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their work in spaces similar to the ones the art was made in.
Jerry Saltz
Image
The art gods cooked up something special for James Ensor.
Jerry Saltz
Image
All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy.
Jerry Saltz
Image
Every movement that slays its gods creates new ones, of course. I loathe talk of the sixties and seventies being a 'Greatest Generation' of artists, but if we're going to use such idiotic appellations, let this one also be applied to the artists, curators, and gallerists who emerged in the first half of the nineties.
Jerry Saltz
Image
More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or make art about. Never mind the intellectual hypocrisy of this: Those who violate the clublike code are made out to be wrong, immoral, corrupt.
Jerry Saltz
Image
Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style.
Jerry Saltz
Image
New Yorkers only cross water for visual culture if the water is an ocean. The East River throws us for a huge loop. If we started going to Queens and the Bronx for visual culture, many of our rent, space, and crowding problems would be over indefinitely.
Jerry Saltz
Image
Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries.
Jerry Saltz
Image
Contrary to popular opinion, things don't go stale particularly fast in the art world.
Jerry Saltz
Image
When the purse strings tighten up at museums, the institutions usually cut back and cancel shows. That's exactly the wrong reaction. In fact, now is a good time for them to loosen up - a chance to breathe and experiment a little - and go for the juicy solution lurking in their own basements.
Jerry Saltz
Image
Abstract Expressionism - the first American movement to have a worldwide influence - was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and you'll find a would-be Willem de Kooning).
Jerry Saltz
Image
I hate when dealers talk to me. I love dealers - they're some of our favorite people in the art world. But I hate if they do a sales pitch on me. I can't stand it.
Jerry Saltz
Image
Living and working for four decades in a Bologna apartment and studio he shared with his unwed sisters, Morandi painted little but bottles, boxes, jars, and vases. Yet like that of Chardin and the underappreciated William Nicholson, Morandi's work seems to slow down time and show you things you've never seen before.
Jerry Saltz
Image
Robert Rauschenberg was not a giant of American art he was the giant. No American created so many aesthetic openings for so many artists.
Jerry Saltz