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Contrary to popular opinion, things don't go stale particularly fast in the art world.

Jerry Saltz

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Jerry Saltz
Age: 73
Born: 1951
Born: February 19
Art Critic
Art Historian
Historian
Journalist
Oak Park
Illinois
World
Stale
Popular
Particularly
Contrary
Fast
Opinion
Art
Things

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Auctions are bizarre combinations of slave market, trading floor, theatre and burlesque... a lot of people are going to be making a lot of excuses or maintaining that they were never part of this.
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Art is good, bad, boring, ugly, useful to us or not. It does or doesn't disturb optical monotony, and succeeds or fails in surmounting sterility of style or visual stereotype it creates new beauty or it doesn't.
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A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
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Many say an art dealer running a museum is a 'conflict of interest.' But maybe the art world has lived an artificial or unintentional lie all of these years when it comes to conflicts of interest.
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Megacollectors suppose they can enter art history by spending astronomical amounts.
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Craft is not a category it's a means. The folks running the museum [Museum of Arts and Design]are sharp, and they know this, but they are in a bind.
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I know it's dangerous to take on bloggers. They can go after you every day, all day long, and anonymous people can chime in, too.
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The price of a work of art has nothing to do with what the work of art is, can do, or is worth on an existential, alchemical level.
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When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.
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The secret of food lies in memory - of thinking and then knowing what the taste of cinnamon or steak is.
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The Met is not only the finest encyclopedic museum of art in the United States it is arguably the finest anywhere.
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Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good.
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Energy and art go where they will.
Jerry Saltz
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My job as art critic is to watch artists dance naked in public, and then I will, in turn, dance naked critically in public.
Jerry Saltz
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The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn.
Jerry Saltz
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Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me included.
Jerry Saltz
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After too much art that made too much sense, artists are operating blind again. They're more interested in the possible than the probable, the private that speaks publicly rather than the public with no private side at all.
Jerry Saltz
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Think of an abstract painting as very, very low relief - a thing, not a picture.
Jerry Saltz
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Galleries began growing in both number and size in the late seventies, when artists who worked in lofts wanted to exhibit their work in spaces similar to the ones the art was made in.
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The art world is molting - some would say melting. Galleries are closing museums are scaling back.
Jerry Saltz