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It is sentimentalism to assume that the teaching of life can always be fitted to the child's interests, just as it is empty formalism to force the child to parrot the formulas of adult society. Interests can be created and stimulated.

Jerome Bruner

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Jerome Bruner
Age: 100 †
Born: 1915
Born: October 1
Died: 2016
Died: June 5
Pedagogue
Psychologist
University Teacher
New York City
New York
Jerome Seymour Bruner
Jerome S. Bruner
Always
Empty
Parrots
Life
Created
Fitted
Teaching
Formulas
Child
Adult
Interest
Assume
Sentimentalism
Society
Assuming
Formalism
Force
Interests
Parrot
Children
Adults
Stimulated

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Passion, like discriminating taste, grows on its use. You more likely act yourself into feeling than feel yourself into action.
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In time, and as one comes to benefit from experience, one learns that things will turn out neither as well as one hoped nor as badly as one feared.
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We are storytelling creatures, and as children we acquire language to tell those stories that we have inside us.
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Thinking about thinking has to be a principle ingredient of any empowering practice of education.
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Education must, be not only a transmission of culture but also a provider of alternative views of the world and a strengthener of the will to explore them.
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Apollo without Dionysus may indeed be a well-informed, good citizen but he's a dull fellow. He may even be 'cultured,' in the sense one often gets from traditionalist writings in education. . . . But without Dionysus he will never make and remake a culture.
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Whoever reflects recognizes that there are empty and lonely spaces between one’s experiences.
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The main characteristic of play - whether of child or adult - is not it content but its mode. Play is an approach to action, not a form of activity.
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The essence of creativity is figuring out how to use what you already know in order to go beyond what you already think.
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Knowledge helps only when it descends into habits.
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There is a deep question whether the possible meanings that emerge from an effort to explain the experience of art may not mask the real meanings of a work of art.
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The agentive mind is not only active in nature, but it seeks out dialogue and discourse with other active minds. And it is through this dialogic, discursive process that we come to know the Other and his points of view, his stories. We learn an enormous amount not only about the world but about ourselves by discourse with Others.
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The shrewd guess, the fertile hypothesis, the courageous leap to a tentative conclusion - these are the most valuable coins of the thinker at work. But in most schools guessing is heavily penalized and is associated somehow with laziness.
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Grasping the structure of a subject is understanding it in a way that permits many other things to be related to it meaningfully. To learn structure in short, is to learn how things are related.
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Knowledge is justified belief.
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We need to conceive of ourselves as agents impelled by self-generated intentions.
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Organizing facts in terms of principles and ideas from which they may be inferred is the only known way of reducing the quick rate of loss of human memory.
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Telling others about oneself is...no simple matter. It depends on what we think they think we ought to be like
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The foundations of any subject may be taught to anybody at any age in some form.
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In reference to right answers - Knowing is a process, not a product.
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