My dad served in the Air Force as ground crew for several years, and doesn't really talk about it. I know that it's there. I think my main thing about direct or indirect experiences as near to home as it were is the idea of self-sacrifice really.

I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.

I did decide that you have to put your name about a bit, and so, although I would have preferred to have never done publicity or an interview or a fashion shoot for a magazine or a chat show.

I don't have the energy or the mental security to get involved with all that. I think it's a good idea to be able to disappear into the story, so that the first thing the audience sees isn't you, but the part.

I never want to sort of put all the cards on the table all at once, because that's somehow there's always a journey to go on. There's always something to be revealed, in my mind, about characters.

The space and light up there in Norfolk is wonderfully peaceful. I find myself doing funny things like gardening, and cooking, which I rarely do in London.

It's taken me longer still to realize what a short span there is between those life experiences and the rest of your life. That's a job for the people who lived through it.

He has such a patronizing tone and manner, and such a sarcastic sense of humor. I found him rather brutal, a kind of elegant brutality which appealed. No, I think he came pretty much off the page.

People will say that it's some kind of evasion, but I would never want to have a kid for me. I'd want to have the child for the child's sake, if that makes sense.

I don't consider 41 being in prime of life. Even if I conceived a child tomorrow I'd be 52 by the time it was 10. I'm not sure I'd have the energy, and I find that quite scary.

I'd always liked the idea that drama acts at its best as a kind of arena for debate, not just about the thing itself, but also producing aesthetic, stylistic, political and moral discussions. The Jungian view would be that it affects all of our imaginations and somehow taps into our hidden, ancient, primordial memories.

I think one probably absorbs things like a sponge and things emerge without your always being aware of it.

As an actor, you ask yourself what you can do to put yourself in a position where you can play that role.

I'm just a hired actor who was hired for a particular job, but I think one of the joys of reading the script was the way that the personal and the global are woven together.

All the great novels, all the great films, all the great dramas are fictions that actually tell us the truth about us or about human nature or about human situations without being tied into the minutia of documentary events. Otherwise we might as well just make documentaries.

I choose to give truly of myself, entirely of myself, to the people I choose to do that with, and I can't do that with everyone.

I would have loved to have met some former spies, but they don't readily advertise themselves unless they're not living in Moscow, and even then. I'm sure I've met some without realizing it.