I do hope I play out the contradictions that I feel, all the anxieties and dilemmas. If they're there in the work, then that's brilliant.

I want people to know what it is they're looking at. But at the same time, the closer they get to the painting, it's like going back into childhood. And it's like an abstract piece.. it becomes the landscape of the brush marks rather than just sort of an intellectual landscape.

The art I like concentrates on the body. I don't have a feel for Poussin, but for Courbet, Velásquez - artists who get to the flesh. Visceral artists - Bacon, Freud. And de Kooning, of course. He's really my man. He doesn't depict anything, yet it's more than representation, it's about the meaning of existence and pushing the medium of paint.

If there's a narrative, I want it in the flesh.

I like making work in my studio day in and day out, but I'm not so interested in the business side