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Oh we'll know each other forever, Bix says. The days of losing touch are almost gone.

Jennifer Egan

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Jennifer Egan
Age: 62
Born: 1962
Born: September 7
Novelist
Writer
Chicago
Illinois
Touch
Losing
Says
Days
Almost
Forever
Gone

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The problem was precision, perfection the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh.
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I'm always happy, Sasha said. Sometimes I just forget.
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Everybody sounds stoned, because they're e-mailing people the whole time they're talking to you.
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We're [writers] all afraid of writing badly, and there are psychological reasons, like the bad interior of ourselves is somehow being revealed, but we all fear that, and you can't write well if you're not willing to write badly. That's why you have to make writing a habit, so it feels normal and not strange.
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I grew up in the 70s, when people talked on the phone - and just talked more. I remember the phone was the epicenter of our house. I spent hours every evening as a teenager waiting for the phone to ring and talking to my friends. Before the age of technology, it was also easier to just disappear from the face of the earth.
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And Alex understood that Scotty Hausmann did not exist. He was a word casing in human form: a shell whose essence has vanished.
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Being somewhere but not completely: that was home for Danny. . . . All he needed was a cellphone or I-access, or both at once, or even just a plan to leave wherever he was and go someplace else really really soon.
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But I always need to identify with a character to write about him or her - and by identify, I mean see the world through that person's eyes and have a strong sense of the inner logic of their acts and decisions, wacky or wrongheaded though they might be. In that sense, I think there's some of me in all of them.
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Read at the level at which you want to write. Reading is the nourishment that feeds the kind of writing you want to do.
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I don't really know where my ideas come from. I start with a time and a place. That's what I need to get started, and an intellectual question.
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There are so many ways to go wrong. All we've got are metaphors, and they're never exactly right. You can never just Say. The. Thing.
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We lie. That's what we do. You're selling me a line of bullshit and you want me to sell you a line of bullshit back so you can write a major line of bullshit and be paid for it.
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If you don't have people that the reader cares about and stories that are gripping, you've got nothing.
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Sure, everything is ending, Jules said, but not yet.
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I know I'm famous and irresitible - a combination whose properties closely resemble radioactivity - and I know that you in this room are helpless against me.
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I think the one thing that's changed over time is that I've come to realise, as a fiction writer, the fact that I don't think it will work out, doesn't mean that it actually won't.
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Rich children are always blond, Jocelyn goes. It has to do with vitamins.
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This is the music business. 'Five years is five hundred years' - your words.
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I am at my worst trying to write about things that overlap with my life.
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Structural dissatisfaction: Returning to circumstances that once pleased you, after having experienced a more thrilling or opulent way of life, and finding that you can no longer tolerate them.
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