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Rich children are always blond, Jocelyn goes. It has to do with vitamins.

Jennifer Egan

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Jennifer Egan
Age: 62
Born: 1962
Born: September 7
Novelist
Writer
Chicago
Illinois
Goes
Rich
Children
Always
Jocelyn
Blond
Vitamins

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Be willing and unafraid to write badly, because often the bad stuff...forms a base on which to build something better.
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This is the music business. 'Five years is five hundred years' - your words.
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It's turning out to be a bad day, a day when the sun feels like teeth.
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It was the hat. He looked sweet in the hat. How could a man in a fuzzy blue hat have used human bones to pave his roads?
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Nineteen eighty is almost here, thank God. the hippies are getting old, they blew their brains on acid and now they're begging on street corners all over San Francisco. Their hair is tangled and their bare feet are thick and gray as shoes. We're sick of them.
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Her only thought was of getting away, as if she were carrying a live grenade from inside the house, so that when it exploded, it would destroy just herself.
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I grew up in the 70s, when people talked on the phone - and just talked more. I remember the phone was the epicenter of our house. I spent hours every evening as a teenager waiting for the phone to ring and talking to my friends. Before the age of technology, it was also easier to just disappear from the face of the earth.
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We're [writers] all afraid of writing badly, and there are psychological reasons, like the bad interior of ourselves is somehow being revealed, but we all fear that, and you can't write well if you're not willing to write badly. That's why you have to make writing a habit, so it feels normal and not strange.
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Everybody sounds stoned, because they're e-mailing people the whole time they're talking to you.
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And the question is, which one is really you.
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Read at the level at which you want to write. Reading is the nourishment that feeds the kind of writing you want to do.
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[I]t may be that a crowd at a particular moment of history creates the object to justify its gathering.
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Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out.
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I had this idea that I could hire myself out as a person to go on archeological digs and dig, without any training! I actually wrote to a number of archeology departments and offered up my services.
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If I had a view like this to look down on every day, I would have the energy and inspiration to conquer the world. The trouble is, when you most need such a view, no one gives it to you.
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It's finished. Everything went past, without me.
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I did go on safari in Kenya when I was 17, with my mother, stepfather and little brother, and I kept a careful journal of the experience that was very helpful in terms of my sensory impressions of Africa. I have traveled quite a bit at distinct times in my life, though now that I have kids I've settled down.
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That we have some history together that hasn’t happened yet.
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I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.
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Sure, everything is ending, Jules said, but not yet.
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