I've never been one to just do what I'm told. I don't say that necessarily with pride, it's just something that has gotten me in trouble before.

I've been painting and making things since I was little.

I know acting is not impersonating, but I'm good with impressions. I can do impressions of people I know, and people I've been, and roles that I've acted before.

I've had a baby. I've had an abortion.

I'll never have a best friend who is a man. It just doesn't work that way. So many times young girls will be like, 'I'm a guy's girl.' And I'm like, 'No, you're not. There's no way a man can understand you like a woman, and you're a guy's girl because you're threatened by other women.' I was like that.

But I'm interested in the Barnes Collection in Philadelphia. I hear there are some of the worst Matisses there. I like seeing bad art by good artists. It's inspiring. I'm able to identify with them. It makes them real.

People are confusing me with a good actor when I'm just a good mimic. When someone asks me to play a nun from the fifteenth century, you'll see what I mean.

Acting is secondary - I don't feel like it's going to stick around because it's not something I want to do forever. My art has always been my top priority and I have far more experience in that field than I do in film.

When you're literally carrying a child you can cut back on bad habits.

That's what I paint, I paint people. They're portraits, but you won't always be pleased with the way you look in my paintings. Which is fine, I guess. Unless you're buying it, and it's of your kid!

Portraiture keeps me humble. It's simple and straightforward. There is nothing more interesting I can make up than the figure sitting right in front of me.

By the way, I'm funniest when I'm not being funny. I'm better to laugh at than with, pretty much.

I mean, I have worked out. I've always worked out a little, you know, when I felt it was, like... time.