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I'm not really an autobiographical writer, though I use lots of stuff from my life to make my stories seem real. But when I actually write about myself, I get very confused.
Jeffrey Eugenides
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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Real
Seem
Writing
Though
Really
Actually
Make
Use
Autobiographical
Life
Write
Revelations
Stuff
Confused
Stories
Lots
Seems
Writer
More quotes by Jeffrey Eugenides
I know that attaching memories to books may be going out of the world, but while it lasts, it's a strong record of your life.
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It was like autumn, looking at her. it was like driving up north to see the colors.
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It was something every child knew how to do, maintain a direct and full connection with the world. Somehow you forgot about it as you grew up, and had to learn it again.
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If Mitchell was ever going to become a good Christian, he would have to stop disliking people so intensely.
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On their best days, writers all over the world are winning Pulitzers, all alone in their studios, with no one watching.
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She understood that her heart operated on its own instructions, that she had no control over it or, indeed, anything else.
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The essential matrimonial facts: that to be happy you have to find variety in repetition that to go forward you have to come back to where you begin.
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If love were endless, if it were on tap, it wouldn't hit us the way it does. And we certainly wouldn't write about it.
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I'd like to have a word for 'the sadness inspired by failing restaurants' as well as for 'the excitement of getting a room with a minibar.
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We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
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Basically what we have here is a dreamer. Somebody out of touch with reality. When she jumped, she probably thought she'd fly
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Where else would she feel more comfortable than in this subterranean realm where people wrote down what they couldn't say, where they gave voice to their most shameful longings and knowledge?
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There is a small window of opportunity for freckled girls to tan.
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What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself.
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The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind.
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I wanted to be an actor. My parents were not too keen on that.
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But I care about the reader, and I'm trying to keep the reader's attention for as long as I can.
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In the end we had the pieces of the puzzle, but no matter how we put them together, gaps remained, oddly shaped emptinesses mapped by what surrounded them, like countries we couldn't name.
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In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.
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We realized that the version of the world they rendered for us was not the version of the world they really believed in.
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