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They made us participate in their own madness, because we couldn't help but retrace their steps, rethink their thoughts, and see that none of them led to us.
Jeffrey Eugenides
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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
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Participate
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Depression
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Illness
Madness
None
Couldn
Thoughts
Retrace
Steps
Rethink
More quotes by Jeffrey Eugenides
No matter how long your've been at it, you always start from scratch.
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That's the way I will write characters, put a fair amount of myself in them, and then everyone else who was like that person, I will pick and choose.
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To start with, look at all the books.
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The seeds of death get lost in the mess that God made us.
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We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
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The window was still open.” Mr Lisbon said. “I don’t think we’d ever remembered to shut it. It was all clear to me. I knew I had to close it or else she’d go on jumping out of it forever
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She may have looked normal on the outside, but once you'd seen her handwriting you knew she was deliciously complicated inside.
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Can you see me? All of me? Probably not. No one ever really has.
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I always work in a room where there's no Internet to keep from being distracted so easily.
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I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
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If love were endless, if it were on tap, it wouldn't hit us the way it does. And we certainly wouldn't write about it.
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There is a small window of opportunity for freckled girls to tan.
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I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college.
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In Madeleine's face was a stupidity Mitchell had never seen before. It was the stupidity of all normal people. It was the stupidity of the fortunate and the beautiful, of everybody who got what they wanted in life and so remained unremarkable.
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I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.
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Three times a day Petrovich showed up at the nurse's office for his injections, always using the hypodermic needle himself like the most craven of junkies, though after shooting up he would play the concert piano in the auditorium with astounding artistry, as though insulin were the elixir of genius.
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I'd like to show how 'intimations of mortality brought on by aging family members' connects with 'the hatred of mirrors that begins in middle age.
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The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind.
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The mind self-edits. The mind airbrushes. It's a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison.
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It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, Stay there. Don't move.
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