Quote

It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, Stay there. Don't move.

Jeffrey Eugenides

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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Life
Saying
Traumatic
Lines
Pulls
Forever
Marks
Moving
Mark
Often
Early
Experience
Line
Persons
Stay
Person
Move

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You can tell when something's not moving forward anymore. When the doubts you have about it don't go away.
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Added to their loveliness was a new mysterious suffering, perfectly silent, visible in the blue puffiness beneath their eyes or the way they would sometimes stop in mid-stride, look down, and shake their heads as though disagreeing with life.
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Dieting fooled you into thinking you could control your life.
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There is a small window of opportunity for freckled girls to tan.
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Well, marriage doesn't function in the way it used to in terms of deciding our fate, but it's in our heads, and it determines a lot of our actions. Like, right now, if you think about gay marriage - and they just started having the first gay marriages in New York - it shows what a potent idea marriage remains for people.
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It was one of those humid days when the atmosphere gets confused. Sitting on the porch, you could feel it: the air wishing it was water.
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Her eyes watered and she was a foot taller than any of her sisters, mostly because of the length of her neck which would one day hang from the end of a rope
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They were bound for college, husbands, child-rearing, unhappiness only dimly perceived- bound, in other words, for life.
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I'm the final clause in a periodic sentence, and that sentence begins a long time ago, in another language, and you to read it from the beginning to get to the end, which is my arrival.
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Being a writer is a solitary life. So the little part of me that's an actor still enjoys the theatrical part of reading and doing the voices and telling the story.
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It was something every child knew how to do, maintain a direct and full connection with the world. Somehow you forgot about it as you grew up, and had to learn it again.
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Household objects lost meaning. A bedside clock became a hunk of molded plastic, telling something called time, in a world marking it's passage for some reason.
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There was nowhere I could go that wouldn't be you.
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The Pulitzer Prize is an idea it's a vote of confidence. Like literature, it exists purely in the mind.
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The essential matrimonial facts: that to be happy you have to find variety in repetition that to go forward you have to come back to where you begin.
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I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
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But, like anyone in love, Madeleine believed that her own relationship was different from every other relationship, immune from typical problems.
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She held herself very straight, like Audrey Hepburn, whom all women idolize and men never think about.
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I always work in a room where there's no Internet to keep from being distracted so easily.
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Three times a day Petrovich showed up at the nurse's office for his injections, always using the hypodermic needle himself like the most craven of junkies, though after shooting up he would play the concert piano in the auditorium with astounding artistry, as though insulin were the elixir of genius.
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