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They were bound for college, husbands, child-rearing, unhappiness only dimly perceived- bound, in other words, for life.

Jeffrey Eugenides

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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Bounds
Husband
College
Dimly
Child
Rearing
Words
Husbands
Children
Perceived
Life
Unhappiness
Bound

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The following doodle: a girl with pigtails is bent under the weight of a gigantic boulder. Her cheeks puff out, and her rounded lips expel steam. One widening steam cloud contains the word Pressure, darkly retraced.
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A changeableness, too, as if beneath my visible face there was another, having second thoughts.
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In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.
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I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college.
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We knew the pain of winter rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other.
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During a warm winter rain ... the basins of her collarbones collected water.
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The more she thought about it, the more Madeleine understood that extreme solitude didn't just describe the way she was feeling about Leonard. It explained how she'd always felt when she was in love. It explained what love was like and, just maybe, what was wrong with it.
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Where else would she feel more comfortable than in this subterranean realm where people wrote down what they couldn't say, where they gave voice to their most shameful longings and knowledge?
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But in the end it wasn't up to me. The bigs things never are. Birth, I mean, and death. And love. And what love bequeaths to us before we're born.
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College wasn't like the real world. In the real world people dropped names based on their renown. In college, people dropped names based on their obscurity.
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Basically what we have here is a dreamer. Somebody out of touch with reality. When she jumped, she probably thought she'd fly
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She held herself very straight, like Audrey Hepburn, whom all women idolize and men never think about.
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She could become a spinster, like Emily Dickinson, writing poems full of dashes and brilliance, and never gaining weight.
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He knew a lot about his grandparents - and perhaps he feels he's been endowed with abilities to go into people's heads who are long dead - but, to a certain extent, he's making it up.
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I'd like to have a word for 'the sadness inspired by failing restaurants' as well as for 'the excitement of getting a room with a minibar.
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She had given birth to me and nursed me and brought me up. She had known me before I knew myself and now she had no say in the matter. Life started out one thing and then suddenly turned a corner and became something else.
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All wisdom ends in paradox.
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I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
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Everyone struggles against despair, but it always wins in the end. It has to. It's the thing that lets us say goodbye.
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Virgin suicide What was that she cried? No use in stayin' On this holocaust ride She gave me her cherry She's my virgin suicide
Jeffrey Eugenides