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It was something every child knew how to do, maintain a direct and full connection with the world. Somehow you forgot about it as you grew up, and had to learn it again.
Jeffrey Eugenides
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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Children
Somehow
Every
Connections
Something
Direct
World
Grew
Knew
Full
Forgot
Child
Maintain
Learn
Connection
More quotes by Jeffrey Eugenides
Every letter was a love letter. Of course, as love letters went, this one could have been better. It was not very promising, for instance, that Madeleine claimed not to want to see him for the next half-century.
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One of the reasons that art is important to me is sometimes it actually feels more coherent than life. It orders the chaos.
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I'm not really an autobiographical writer, though I use lots of stuff from my life to make my stories seem real. But when I actually write about myself, I get very confused.
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Being a writer is a solitary life. So the little part of me that's an actor still enjoys the theatrical part of reading and doing the voices and telling the story.
Jeffrey Eugenides
The seeds of death get lost in the mess that God made us.
Jeffrey Eugenides
Lux spent the ride dialing the radio for her favorite song. It makes me crazy, she said. You know they're playing it somewhere, but you have to find it.
Jeffrey Eugenides
What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself.
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This can't be true but I remember it.
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She could become a spinster, like Emily Dickinson, writing poems full of dashes and brilliance, and never gaining weight.
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Capitalism has resulted in material well-being but spiritual bankruptcy.
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I'd like to have a word for 'the sadness inspired by failing restaurants' as well as for 'the excitement of getting a room with a minibar.
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Can you see me? All of me? Probably not. No one ever really has.
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Detroit's a great music town. If your interaction with it was mainly musical, I'm sure you have a good opinion of the place.
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But what humans forget, cells remember. The body, that elephant
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The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind.
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And in some of the houses, people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered. What really mattered in life, what gave it weight, was death.
Jeffrey Eugenides
Winter is the season of alcoholism and despair.
Jeffrey Eugenides
I think the suicides in my first book came from the idea of growing up in Detroit. If you grow up in a city like that you feel everything is perishing, evanescent and going away very quickly.
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If I write a character, instead of looking from the outside, like maybe a journalist would, trying to describe them physically and figuring out what kind of things they might be interested in or have in their house, I don't really do it that way. I try to feel what it would be like to be inside this person, to be them.
Jeffrey Eugenides
Added to their loveliness was a new mysterious suffering, perfectly silent, visible in the blue puffiness beneath their eyes or the way they would sometimes stop in mid-stride, look down, and shake their heads as though disagreeing with life.
Jeffrey Eugenides