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Yes, you need a passport to prove to the world that you exist. The people at passport control, they cannot look at you and see you are a person. No! They have to look at a little photograph of you. Then they believe you exist.
Jeffrey Eugenides
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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Believe
Littles
World
Persons
Passport
People
Person
Passports
Look
Photograph
Little
Exist
Looks
Prove
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Cannot
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Added to their loveliness was a new mysterious suffering, perfectly silent, visible in the blue puffiness beneath their eyes or the way they would sometimes stop in mid-stride, look down, and shake their heads as though disagreeing with life.
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All wisdom ends in paradox.
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She had given birth to me and nursed me and brought me up. She had known me before I knew myself and now she had no say in the matter. Life started out one thing and then suddenly turned a corner and became something else.
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What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself.
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This can't be true but I remember it.
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Some Pulitzer winners - novelists - have confided to me that getting the prize screwed them up. It messed with their heads. That hasn't been my experience.
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Everyone struggles against despair, but it always wins in the end. It has to. It's the thing that lets us say goodbye.
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If I write a character, instead of looking from the outside, like maybe a journalist would, trying to describe them physically and figuring out what kind of things they might be interested in or have in their house, I don't really do it that way. I try to feel what it would be like to be inside this person, to be them.
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I went into the desert to forget about you. But the sand was the color of your hair. The desert sku was the color of your eyes. There was nowhere I could go that wouldn't be you.
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Lux spent the ride dialing the radio for her favorite song. It makes me crazy, she said. You know they're playing it somewhere, but you have to find it.
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It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, Stay there. Don't move.
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You can tell when something's not moving forward anymore. When the doubts you have about it don't go away.
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I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960 and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.
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A changeableness, too, as if beneath my visible face there was another, having second thoughts.
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Household objects lost meaning. A bedside clock became a hunk of molded plastic, telling something called time, in a world marking it's passage for some reason.
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She may have looked normal on the outside, but once you'd seen her handwriting you knew she was deliciously complicated inside.
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I'm constantly having doubts and moments of depression and then excitement and then back into the slough of despond.
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