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There comes a moment, when you get lost in the woods, when the woods begin to feel like home.
Jeffrey Eugenides
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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Moment
Comes
Lost
Moments
Home
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Woods
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More quotes by Jeffrey Eugenides
She'd become an English major for the purest and dullest of reasons: because she loved to read.
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That's the way I will write characters, put a fair amount of myself in them, and then everyone else who was like that person, I will pick and choose.
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We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
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Some Pulitzer winners - novelists - have confided to me that getting the prize screwed them up. It messed with their heads. That hasn't been my experience.
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The essential matrimonial facts: that to be happy you have to find variety in repetition that to go forward you have to come back to where you begin.
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The window was still open.” Mr Lisbon said. “I don’t think we’d ever remembered to shut it. It was all clear to me. I knew I had to close it or else she’d go on jumping out of it forever
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The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind.
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She could become a spinster, like Emily Dickinson, writing poems full of dashes and brilliance, and never gaining weight.
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Jacques Derrida is a very important thinker and philosopher who has made serious contributions to both philosophy and literary criticism. Roland Barthes is the one I feel most affinity for, and Michel Foucault, well, his writing influenced my novel, 'Middlesex.'
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I'm not really an autobiographical writer, though I use lots of stuff from my life to make my stories seem real. But when I actually write about myself, I get very confused.
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I'm constantly having doubts and moments of depression and then excitement and then back into the slough of despond.
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no reason to mention my peculiarities, my wandering in the maze these many years, shut away from sight. and from love, too.
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I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
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Every letter was a love letter. Of course, as love letters went, this one could have been better. It was not very promising, for instance, that Madeleine claimed not to want to see him for the next half-century.
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that since Cecilia’s suicide, the Lisbon’s could hardly wait for the night to forget themselves in sleep
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We're all made up of many parts, other halves. Not just me.
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What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself.
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Everyone struggles against despair, but it always wins in the end. It has to. It's the thing that lets us say goodbye.
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I'd like to show how 'intimations of mortality brought on by aging family members' connects with 'the hatred of mirrors that begins in middle age.
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I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
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