Quote

But, like anyone in love, Madeleine believed that her own relationship was different from every other relationship, immune from typical problems.

Jeffrey Eugenides

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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Different
Madeleine
Every
Immune
Love
Typical
Like
Believed
Problems
Relationship
Anyone
Problem
Madeleines

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The Pulitzer Prize is an idea it's a vote of confidence. Like literature, it exists purely in the mind.
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Whenever we got a glimpse, their faces looked indecently revealed, as though we were used to seeing women in veils.
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The time has to be right and the heart willing.
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I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
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I went into the desert to forget about you. But the sand was the color of your hair. The desert sku was the color of your eyes. There was nowhere I could go that wouldn't be you.
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Basically what we have here is a dreamer. Somebody out of touch with reality. When she jumped, she probably thought she'd fly
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They were bound for college, husbands, child-rearing, unhappiness only dimly perceived- bound, in other words, for life.
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There are some books that reached through the noise of life to grab you by the collar and speak only of the truest things.
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She may have looked normal on the outside, but once you'd seen her handwriting you knew she was deliciously complicated inside.
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Three times a day Petrovich showed up at the nurse's office for his injections, always using the hypodermic needle himself like the most craven of junkies, though after shooting up he would play the concert piano in the auditorium with astounding artistry, as though insulin were the elixir of genius.
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I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
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no reason to mention my peculiarities, my wandering in the maze these many years, shut away from sight. and from love, too.
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I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.
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At night the cries of cats making love or fighting, their caterwauling in the dark, told us that the world was pure emotion, flung back and forth among its creatures, the agony of the one-eyed Siamese no different from that of the Lisbon girls, and even the trees plunged in feeling.
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During a warm winter rain ... the basins of her collarbones collected water.
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They're just memories now. Time to write them off.
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College wasn't like the real world. In the real world people dropped names based on their renown. In college, people dropped names based on their obscurity.
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The window was still open.” Mr Lisbon said. “I don’t think we’d ever remembered to shut it. It was all clear to me. I knew I had to close it or else she’d go on jumping out of it forever
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I think the suicides in my first book came from the idea of growing up in Detroit. If you grow up in a city like that you feel everything is perishing, evanescent and going away very quickly.
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Being a writer is a solitary life. So the little part of me that's an actor still enjoys the theatrical part of reading and doing the voices and telling the story.
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