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But, like anyone in love, Madeleine believed that her own relationship was different from every other relationship, immune from typical problems.

Jeffrey Eugenides

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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Problems
Relationship
Anyone
Problem
Madeleines
Different
Madeleine
Every
Immune
Love
Typical
Like
Believed

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It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, Stay there. Don't move.
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Her eyes watered and she was a foot taller than any of her sisters, mostly because of the length of her neck which would one day hang from the end of a rope
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Basically what we have here is a dreamer. Somebody out of touch with reality. When she jumped, she probably thought she'd fly
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If I write a character, instead of looking from the outside, like maybe a journalist would, trying to describe them physically and figuring out what kind of things they might be interested in or have in their house, I don't really do it that way. I try to feel what it would be like to be inside this person, to be them.
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We're all well-acquainted with depression, we all know what the low moods are, but the mania was not something I knew much about. I didn't know that it would make someone dress extravagantly or start to pun, and to stay up and drink.
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Mitchell had answered that, as far as he understood them, mystical experiences were significant only to the extent that they changed a person's conception of reality, and if that changed conception led to a change in behavior and action, a loss of ego.
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that since Cecilia’s suicide, the Lisbon’s could hardly wait for the night to forget themselves in sleep
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In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.
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During a warm winter rain ... the basins of her collarbones collected water.
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Every letter was a love letter. Of course, as love letters went, this one could have been better. It was not very promising, for instance, that Madeleine claimed not to want to see him for the next half-century.
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I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
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They were bound for college, husbands, child-rearing, unhappiness only dimly perceived- bound, in other words, for life.
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There is a small window of opportunity for freckled girls to tan.
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One of the reasons that art is important to me is sometimes it actually feels more coherent than life. It orders the chaos.
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She held herself very straight, like Audrey Hepburn, whom all women idolize and men never think about.
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It was one of those humid days when the atmosphere gets confused. Sitting on the porch, you could feel it: the air wishing it was water.
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The following doodle: a girl with pigtails is bent under the weight of a gigantic boulder. Her cheeks puff out, and her rounded lips expel steam. One widening steam cloud contains the word Pressure, darkly retraced.
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The zipper opened all the way down our spines.
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Being a writer is a solitary life. So the little part of me that's an actor still enjoys the theatrical part of reading and doing the voices and telling the story.
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