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Winter is the season of alcoholism and despair.

Jeffrey Eugenides

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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Season
Seasons
Winter
Despair
Alcoholism

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One of the reasons that art is important to me is sometimes it actually feels more coherent than life. It orders the chaos.
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I saw the movie, he said. I know what it's about. Listen to this. When girls get to be about twelve or so - he leaned toward us - their tits bleed.
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Some Pulitzer winners - novelists - have confided to me that getting the prize screwed them up. It messed with their heads. That hasn't been my experience.
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Now all the mute objects of my life seem to tell my story, to stretch back in time, if I look closely enough.
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Added to their loveliness was a new mysterious suffering, perfectly silent, visible in the blue puffiness beneath their eyes or the way they would sometimes stop in mid-stride, look down, and shake their heads as though disagreeing with life.
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There comes a moment, when you get lost in the woods, when the woods begin to feel like home.
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-Who are you, anyway? -Just someone who knows, from personal experience, how attractive it can be to think you can save somebody else by loving them.
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I wanted to be an actor. My parents were not too keen on that.
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that since Cecilia’s suicide, the Lisbon’s could hardly wait for the night to forget themselves in sleep
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Every letter was a love letter. Of course, as love letters went, this one could have been better. It was not very promising, for instance, that Madeleine claimed not to want to see him for the next half-century.
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The more she thought about it, the more Madeleine understood that extreme solitude didn't just describe the way she was feeling about Leonard. It explained how she'd always felt when she was in love. It explained what love was like and, just maybe, what was wrong with it.
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There's a kind of acting that goes on in my head when I'm writing a character where I put myself in their place.
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I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.
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It was something every child knew how to do, maintain a direct and full connection with the world. Somehow you forgot about it as you grew up, and had to learn it again.
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A changeableness, too, as if beneath my visible face there was another, having second thoughts.
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In Madeleine's face was a stupidity Mitchell had never seen before. It was the stupidity of all normal people. It was the stupidity of the fortunate and the beautiful, of everybody who got what they wanted in life and so remained unremarkable.
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I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college.
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Mitchell had answered that, as far as he understood them, mystical experiences were significant only to the extent that they changed a person's conception of reality, and if that changed conception led to a change in behavior and action, a loss of ego.
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no reason to mention my peculiarities, my wandering in the maze these many years, shut away from sight. and from love, too.
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I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
Jeffrey Eugenides