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She had given birth to me and nursed me and brought me up. She had known me before I knew myself and now she had no say in the matter. Life started out one thing and then suddenly turned a corner and became something else.
Jeffrey Eugenides
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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Given
Suddenly
Else
Brought
Matter
Turned
Thing
Became
Something
Birth
Life
Started
Nursed
Knew
Corner
Known
Corners
More quotes by Jeffrey Eugenides
On their best days, writers all over the world are winning Pulitzers, all alone in their studios, with no one watching.
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But in the end it wasn't up to me. The bigs things never are. Birth, I mean, and death. And love. And what love bequeaths to us before we're born.
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It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, Stay there. Don't move.
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Every letter was a love letter. Of course, as love letters went, this one could have been better. It was not very promising, for instance, that Madeleine claimed not to want to see him for the next half-century.
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The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind.
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We're all made up of many parts, other halves. Not just me.
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And in some of the houses, people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered. What really mattered in life, what gave it weight, was death.
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Now all the mute objects of my life seem to tell my story, to stretch back in time, if I look closely enough.
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Depression is like a bruise that never goes away. A bruise in your mind. You just got to be careful not to touch it where it hurts. It's always there, though.
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I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own thoughts and history.
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All wisdom ends in paradox.
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Added to their loveliness was a new mysterious suffering, perfectly silent, visible in the blue puffiness beneath their eyes or the way they would sometimes stop in mid-stride, look down, and shake their heads as though disagreeing with life.
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In Madeleine's face was a stupidity Mitchell had never seen before. It was the stupidity of all normal people. It was the stupidity of the fortunate and the beautiful, of everybody who got what they wanted in life and so remained unremarkable.
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What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself.
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Some Pulitzer winners - novelists - have confided to me that getting the prize screwed them up. It messed with their heads. That hasn't been my experience.
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When I wrote The Virgin Suicides, I gave myself very strict rules about the narrative voice: the boys would only be able to report what they had seen or found or what had been told to them.
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I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.
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You begin always knowing nothing. You remain forever an amateur, a first timer.
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Household objects lost meaning. A bedside clock became a hunk of molded plastic, telling something called time, in a world marking it's passage for some reason.
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Detroit's a great music town. If your interaction with it was mainly musical, I'm sure you have a good opinion of the place.
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