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We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides
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Jeffrey Eugenides
Age: 64
Born: 1960
Born: March 8
Novelist
University Teacher
Writer
Detroit
Michigan
Jeffrey Kent Eugenides
Women
Merely
Even
Girls
Really
Understood
Fascinate
Love
Knew
Virgins
Create
Disguise
Girl
Noise
Jobs
Seemed
Death
Finally
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On their best days, writers all over the world are winning Pulitzers, all alone in their studios, with no one watching.
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The following doodle: a girl with pigtails is bent under the weight of a gigantic boulder. Her cheeks puff out, and her rounded lips expel steam. One widening steam cloud contains the word Pressure, darkly retraced.
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Her eyes watered and she was a foot taller than any of her sisters, mostly because of the length of her neck which would one day hang from the end of a rope
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What I do when I create a character is put in details from all the people I know who might be like that person, and then put in a huge amount of myself.
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no reason to mention my peculiarities, my wandering in the maze these many years, shut away from sight. and from love, too.
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A seven-year-old girl can take only so many walks with her grandfather.
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We Greeks are a moody people. Suicide makes sense to us. Putting up Christmas lights after your own daughter does it--that makes no sense. What my yia yia could never understand about America was why everyone pretended to be happy all the time.” -Mrs. Karafilis
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There was nowhere I could go that wouldn't be you.
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It was one of those humid days when the atmosphere gets confused. Sitting on the porch, you could feel it: the air wishing it was water.
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It was like autumn, looking at her. it was like driving up north to see the colors.
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In Madeleine's face was a stupidity Mitchell had never seen before. It was the stupidity of all normal people. It was the stupidity of the fortunate and the beautiful, of everybody who got what they wanted in life and so remained unremarkable.
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I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
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It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, Stay there. Don't move.
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The more she thought about it, the more Madeleine understood that extreme solitude didn't just describe the way she was feeling about Leonard. It explained how she'd always felt when she was in love. It explained what love was like and, just maybe, what was wrong with it.
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Scars crossed her welded wrists.
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No matter how long your've been at it, you always start from scratch.
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Some Pulitzer winners - novelists - have confided to me that getting the prize screwed them up. It messed with their heads. That hasn't been my experience.
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All wisdom ends in paradox.
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Three times a day Petrovich showed up at the nurse's office for his injections, always using the hypodermic needle himself like the most craven of junkies, though after shooting up he would play the concert piano in the auditorium with astounding artistry, as though insulin were the elixir of genius.
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He knew a lot about his grandparents - and perhaps he feels he's been endowed with abilities to go into people's heads who are long dead - but, to a certain extent, he's making it up.
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