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I also am not particularly risk-averse - I don't mind jumping off a cliff if I trust the people who've told me they'll catch me at the bottom.

Jeff VanderMeer

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Jeff VanderMeer
Age: 56
Born: 1968
Born: July 7
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Bellefonte
Pennsylvania
Jeffrey Scott VanderMeer
Risk
Averse
Told
Cliff
Also
Cliffs
Mind
Jumping
People
Catch
Particularly
Bottom
Trust

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There's also a lot of gritty Americana type of bands. I actually have a lot of Britpop on my iPod, too.
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History has shown us all too often the consequences of dreaming poorly or not at all.
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I’ve got...ways of tricking my brain into getting what I need out of it
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But what if you discover that the price of purpose is to render invisible so many other things?
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A lot of the creature comforts and the things we take for granted, are not sustainable, especially at current population levels. And so, it's not just simply a matter of changing over to solar. It's a matter of changing our philosophies. Of learning to live, more or less, mid- or post-apocalyptic, whatever apocalyptic means.
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So many differing opinions and philosophies... are rarely housed under the roof of a single magazine.
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I always try to be alert to the potential for repetition, for a decaying orbit with regard to my use of technique, etc.
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My parents read to me a lot as a kid, and I started writing very early, probably spurred on by Aesop's fables. Then they gave me The Lord of the Rings way too early for me to fully understand what I was reading, which was actually kind of cool. It was almost better - comprehension's overrated when you're reading.
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Who had the bigger burden? The one who had to watch the other person endure or the one who endured?
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If I could play an instrument, it would probably be a cello or an electric guitar.
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Angela Carter, Leonora Carrington, even nonsurrealists like Kafka and Nabokov - writers like these, who create paths between the firmly grounded and flights of fantasy, are my personal North Star.
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I have always tended toward a lush prose style, but I take care to modulate it from story to story and to strip it down entirely when necessary.
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The best visual book I can think of is Lynda Barry's What It Is, but although I refer to it all the time it's not a creative writing book per se.
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I like to go through the zine sections of local bookstores when on the road and have found a lot of really great kind of underground stuff that way. It all feeds into everything else.
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Silence creates it's own violence.
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The music I listen to while writing is really scene-specific. It's just a great motivator, a way to put myself in the mood.
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My mother is an artist, and I have a strong visual sense. I almost always choose the cover art for my books.
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I had learned so much about the world that I had decided to withdraw from it.
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Angela Carter's fiction blew me away and really instilled a passion for writing, bolstered by Vladimir Nabokov. But in general, I can't point to any one thing. I just always loved books and writing.
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