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What occurs after revelation and paralysis?

Jeff VanderMeer

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Jeff VanderMeer
Age: 56
Born: 1968
Born: July 7
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Bellefonte
Pennsylvania
Jeffrey Scott VanderMeer
Paralysis
Occurs
Revelation
Revelations

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I always try to be alert to the potential for repetition, for a decaying orbit with regard to my use of technique, etc.
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My mom is an artist and my own fiction is deeply visual.
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History has shown us all too often the consequences of dreaming poorly or not at all.
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My mother is an artist, and I have a strong visual sense. I almost always choose the cover art for my books. I've learned that the more I collaborate, like by having someone do a soundtrack to one of my books, the more I see my own work differently.
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Trust your imagination. Don't be afraid to fail. Write. Revise. Revise. Revise.
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Film fixes a precise visual image in the viewer's head. In fiction, you just hope you're precise enough to convey the intended effect.
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The stories in Get In Trouble confirm once again that Kelly Link is a modern virtuoso of the form-playful and subversive required reading for anyone who loves short fiction.
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A lot of the creature comforts and the things we take for granted, are not sustainable, especially at current population levels. And so, it's not just simply a matter of changing over to solar. It's a matter of changing our philosophies. Of learning to live, more or less, mid- or post-apocalyptic, whatever apocalyptic means.
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The music I listen to while writing is really scene-specific. It's just a great motivator, a way to put myself in the mood.
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I like to go through the zine sections of local bookstores when on the road and have found a lot of really great kind of underground stuff that way. It all feeds into everything else.
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Once you realize there's less logic in human institutions than you once thought, you see the narrative potential in just about everything around you. Sometimes, in fact, it seems as if the human world runs on inefficiency and erratic behavior.
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If the reader enters a kind of immersive experience reading a book, then I have to enter a kind of immersive state to do my best work.
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There's also a lot of gritty Americana type of bands. I actually have a lot of Britpop on my iPod, too.
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Angela Carter, Leonora Carrington, even nonsurrealists like Kafka and Nabokov - writers like these, who create paths between the firmly grounded and flights of fantasy, are my personal North Star.
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My best time to write is right after coffee and breakfast - four eggs because, full disclosure: I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, Don't write that, or Man, that sentence is terrible - you should give up and go pet the cats.
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Angela Carter's fiction blew me away and really instilled a passion for writing, bolstered by Vladimir Nabokov. But in general, I can't point to any one thing. I just always loved books and writing.
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The world is a mysterious place and the very limitation of our senses in exploring it means we are sometimes aware of there being something beyond our ken.
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It is the nature of the writer to question the validity of his world and yet rely on his senses to describe it. From what other tension can great literature be born?
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My singing ability is zilch.
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Who had the bigger burden? The one who had to watch the other person endure or the one who endured?
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