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What occurs after revelation and paralysis?

Jeff VanderMeer

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Jeff VanderMeer
Age: 56
Born: 1968
Born: July 7
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
Bellefonte
Pennsylvania
Jeffrey Scott VanderMeer
Paralysis
Occurs
Revelation
Revelations

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My singing ability is zilch.
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Once you realize there's less logic in human institutions than you once thought, you see the narrative potential in just about everything around you. Sometimes, in fact, it seems as if the human world runs on inefficiency and erratic behavior.
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Trust your imagination. Don't be afraid to fail. Write. Revise. Revise. Revise.
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I always try to be alert to the potential for repetition, for a decaying orbit with regard to my use of technique, etc.
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Silence creates it's own violence.
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But what if you discover that the price of purpose is to render invisible so many other things?
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Dreams, though, are just one kind of inspiration - no more or less special than something in a newspaper article or from the world around you sparking inspiration.
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I see music as an aid. It overcomes my internal editor, especially when the music evokes the character or the mood I'm trying to build.
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A lot of the creature comforts and the things we take for granted, are not sustainable, especially at current population levels. And so, it's not just simply a matter of changing over to solar. It's a matter of changing our philosophies. Of learning to live, more or less, mid- or post-apocalyptic, whatever apocalyptic means.
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The best visual book I can think of is Lynda Barry's What It Is, but although I refer to it all the time it's not a creative writing book per se.
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It is the nature of the writer to question the validity of his world and yet rely on his senses to describe it. From what other tension can great literature be born?
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If I could play an instrument, it would probably be a cello or an electric guitar.
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My parents read to me a lot as a kid, and I started writing very early, probably spurred on by Aesop's fables. Then they gave me The Lord of the Rings way too early for me to fully understand what I was reading, which was actually kind of cool. It was almost better - comprehension's overrated when you're reading.
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I’ve got...ways of tricking my brain into getting what I need out of it
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I have always tended toward a lush prose style, but I take care to modulate it from story to story and to strip it down entirely when necessary.
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My best time to write is right after coffee and breakfast - four eggs because, full disclosure: I'm really a komodo dragon - and that's because then I'm energized but not so awake that the critical voice clicks on, the voice that sometimes says, Don't write that, or Man, that sentence is terrible - you should give up and go pet the cats.
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If the reader enters a kind of immersive experience reading a book, then I have to enter a kind of immersive state to do my best work.
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Who had the bigger burden? The one who had to watch the other person endure or the one who endured?
Jeff VanderMeer
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I also am not particularly risk-averse - I don't mind jumping off a cliff if I trust the people who've told me they'll catch me at the bottom.
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The world is a mysterious place and the very limitation of our senses in exploring it means we are sometimes aware of there being something beyond our ken.
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