There really is a certain magic that happens when you're in the studio. And it's important in life to feel that magic: to feel that there is something greater moving all this along.

You go to a show and you know the crowd is there because they like the music, not because everybody else was going. That's a good feeling. You look out there and you know, these are our people.

It's great that people are basically spending their two weeks of vacation to come out and be with us in some weird part of the world. And I think we owe it to them to take 'em to some cool places.

I love sad. Sadness makes you feel more than anything.

I played djembe, percussion, keyboards and I sang.

Every few years I'll party way too much to remind myself what an idiot I am.

Punk rock and skateboarding took the 'school' out of living your life, and I related to learning as I went, doing a lot of different things that I liked, when I liked. Consequently, I'm mediocre at all of the above, but still stoked on being a lifetime student of music, skating, painting, writing, etc.

Where I grew up, I could be a punk rocker and a jock. But in college, it became apparent that those two worlds didn't mix. When I brought my guitar back to school after Thanksgiving break, a friend handed me his bass and said, 'Listen to the Ramones.'

I have to go someplace where I can soak myself in a creative atmosphere.

I'm healthy enough to still skate, so I gotta go because growing up I didn't have - I mean, I grew up in Montana so... there was kind of a little half-pipe in my yard, and that was the extent of the skate terrain in Montana. So I've got to go out and make up for lost time.

When I moved to Seattle, I was hanging out with kids who had done drugs, had sex a million times. I look at them now and realize their childhood was taken away.