It's great that people are basically spending their two weeks of vacation to come out and be with us in some weird part of the world. And I think we owe it to them to take 'em to some cool places.

I played djembe, percussion, keyboards and I sang.

When I moved to Seattle, I was hanging out with kids who had done drugs, had sex a million times. I look at them now and realize their childhood was taken away.

You go to a show and you know the crowd is there because they like the music, not because everybody else was going. That's a good feeling. You look out there and you know, these are our people.

Where I grew up, I could be a punk rocker and a jock. But in college, it became apparent that those two worlds didn't mix. When I brought my guitar back to school after Thanksgiving break, a friend handed me his bass and said, 'Listen to the Ramones.'

There really is a certain magic that happens when you're in the studio. And it's important in life to feel that magic: to feel that there is something greater moving all this along.

I'm healthy enough to still skate, so I gotta go because growing up I didn't have - I mean, I grew up in Montana so... there was kind of a little half-pipe in my yard, and that was the extent of the skate terrain in Montana. So I've got to go out and make up for lost time.

I love sad. Sadness makes you feel more than anything.

Every few years I'll party way too much to remind myself what an idiot I am.

Punk rock and skateboarding took the 'school' out of living your life, and I related to learning as I went, doing a lot of different things that I liked, when I liked. Consequently, I'm mediocre at all of the above, but still stoked on being a lifetime student of music, skating, painting, writing, etc.

I have to go someplace where I can soak myself in a creative atmosphere.