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I live alone, with cats, books, pictures, fresh vegetables to cook, the garden, the hens to feed.

Jeanette Winterson

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Jeanette Winterson
Age: 67
Born: 1957
Born: August 27
Author
Film Producer
Journalist
Novelist
Prosaist
Science Fiction Writer
Screenwriter
Short Story Writer
Writer
Manchester
England
Book
Fresh
Cat
Hens
Pictures
Pet
Garden
Cats
Alone
Vegetables
Books
Cook
Literature
Cooks
Live
Feed

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It is a true saying, that what you fear you find.
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Adults talk about being happy because largely they are not.
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The body shuts down when it has too much to bear goes its own way quietly inside, waiting for a better time, leaving you numb and half alive.
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In the economy of the body, the limbic highway takes precedence over the neural pathways. We were designed and built to feel, and there is no thought, no state of mind, that is not also a feeling state. Nobody can feel too much, though many of us work very hard at feeling too little. Feeling is frightening.
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In a world where meaning is often absent or imposed, reading offers a dialogue with ourselves, with society, with history, and with the dead.
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I don't understand why people talk of art as a luxury when it's a mind-altering possibility.
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It's not the one thing nor the other that leads to madness, but the space in between.
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Autobiography is not important. Authenticity is important. The writer must fire herself through the text, be the molten stuff that welds together disparate elements. I believe there is always exposure, vulnerability, in the writing process, which is not to say it is either confessional or memoir. Simply, it is real.
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I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it.
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To me, life, for all its privations, is a luminous thing. You have to risk it.
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You have to engage with people who are different from you and try to work with their thinking and their mind. That's a real challenge.
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When I look at my life I realise that the mistakes I have made, the things I really regret, were not errors of judgement but failures of feeling.
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There is no discovery without risk and what you risk reveals what you value.
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I think of myself in a continuum as a woman. Two hundred years ago, it would have been very difficult for me to write at all.
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Writing objects to the lie that life is small. Writing is a cell of energy. Writing defines itself. Writing draws its viewer in for longer than an instant. Writing exhibits boldness. Writing restores power to exalt, unnerve, shock, and transform us. Writing does not imitate life, it anticipates life.
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In the presence of love, hearth and quest become one.
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Everyone thinks their own situation most tragic. I am no exception.
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Myths hook and bind the mind because at the same time they set the mind free: they explain the universe while allowing the universe to go on being unexplained and we seem to need this even now, in our twentieth-century grandeur.
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I don't see myself as some kind of lone figure standing out there and doing my work in solitary splendour, but as part of the human condition and part of the continuum of writers.
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Fragile creatures of a small blue planet, surrounded by light years of silent space.
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