When you take a picture of someone, never show it to them right away. If they don't like it, they may erase it.

I never wear very serious suits. I don't have to because I don't go to an office, so it's fine.

I like what I see now in China, but I think the Japanese are a step ahead into craziness and weirdness. I go to galleries there that are the size of a New York elevator, and every time I'm surprised by the amazing things I find. I really hope I'll be able to promote some of these artists, to show their work in the West.

As a kid I collected stamps, pebbles on the beach, anything. I liked to have at least 10 of something.

I'd love to open a private museum in Paris, London, or New York, but I don't have the money. If I were Bill Gates or Paul Allen, the first thing I would do is build a museum.

I'm always interested in finding the new trend. If you love pizza every day, after 22 years of eating pizza, you want to try sushi.

The moment when I press the shutter is fantastic, orgasmic, so charged with the hope that this will be a great, original, interesting, and perfectly composed photo. But like any other exciting thing in life, it is usually spoiled by some ridiculous, unpredictable, and annoying detail.

Every five years, I decide to learn something new.

If I had done what I was programmed to do, I would now be sitting in a car factory looking at the sizes of wheels, or wondering how to get credit to start a new factory in Russia.

I feel when you walk into somebody's apartment on Fifth Avenue or house in Malibu and you see a Basquiat, a Warhol, a Richard Prince, you say to yourself, '$700,000, $2.2 million, $350,000...' To me that is completely uninteresting. I'd rather go to a house where there's great art and I have no idea who the work is by.

I don't like dirty. That's why I hate cigarettes. A little bit of alcohol is O.K., but no drugs. And I like to sleep alone because I wake up, I walk around, I bring my computer with me to bed, I have a great time.