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The main object of a revolution is the liberation of man... not the interpretation and application of some transcendental ideology.

Jean Genet

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Jean Genet
Age: 75 †
Born: 1910
Born: December 19
Died: 1986
Died: April 15
Author
Film Director
Film Editor
Military Personnel
Novelist
Playwright
Poet
Screenwriter
Writer
Paris
France
Revolution
Transcendental
Objects
Rebellious
Men
Application
Interpretation
Liberation
Ideology
Main
Object

More quotes by Jean Genet

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The despondency that follows makes me feel somewhat like a shipwrecked man who spies a sail, sees himself saved, and suddenly remembers that the lens of his spyglass has a flaw, a blurred spot -- the sail he has seen.
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First of all, don't mix your hairpins up with mine! You .... Oh! All right, mix your muck with mine. Mix it! Mix your rags with my tatters! Mix it all up.
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The pimp has a grin, never a smile.
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I wanted to swallow myself by opening my mouth very wide and turning it over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is how I see the end of the world.
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Every premeditated murder is always governed by a preparatory ceremonial and is always followed by a propitiatory ceremonial. The meaning of both eludes the murderers mind.
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My heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught.
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If we behave like those on the other side, then we are the other side. Instead of changing the world, all we'll achieve is a reflection of the one we want to destroy.
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Men endowed with a wild imagination should have, in addition, the great poetic faculty of denying our universe and its values so that they may act upon it with sovereign ease.
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Beauty has no other origin than the singular wound, different in every case, hidden or visible, which each man bears within himself, which he preserves, and into which he withdraws when he would quit the world for a temporary but authentic solitude
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...the characters in my books all resemble each other. They live, with minor variations, the same moments, the same perils, and when I speak of them, my language, which is inspired by them, repeats the same poems in the same tone.
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I don't want to disappear.
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When the judge calls the criminal's name out he stands up, and they are immediately linked by a strange biology that makes them both opposite and complementary. The one cannot exist without the other. Which is the sun and which is the shadow? It's well known some criminals have been great men.
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A great wind swept over the ghetto, carrying away shame, invisibility and four centuries of humiliation. But when the wind dropped people saw it had been only a little breeze, friendly, almost gentle.
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The vaporish cocaine loosens the contours of their lives and sets their bodies adrift, and so they are untouchable.
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Poetry is the break (or rather the meeting at the breaking point) between the visible and the invisible.
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on him, under him, with his mouth pressed to hers, he sang to her uncouth songs that moved through her body.
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Perhaps all music, even the newest, is not so much something discovered as something that re-emerges from where it lay buried in the memory, inaudible as a melody cut in a disc of flesh. A composer lets me hear a song that has always been shut up silent within me.
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Crimes of which a people is ashamed constitute its real history. The same is true of man.
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In order to weep, I had descended to the realm of the dead themselves, to their secret chambers, led by the invisible but soft hands of birds down stairways which were folded up again as I advanced. I displayed my grief in the friendly fields of death, far from men: within myself.
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There is a close relationship between flowers and convicts.
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