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The main object of a revolution is the liberation of man... not the interpretation and application of some transcendental ideology.

Jean Genet

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Jean Genet
Age: 75 †
Born: 1910
Born: December 19
Died: 1986
Died: April 15
Author
Film Director
Film Editor
Military Personnel
Novelist
Playwright
Poet
Screenwriter
Writer
Paris
France
Objects
Rebellious
Men
Application
Interpretation
Liberation
Ideology
Main
Object
Revolution
Transcendental

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I recognize in thieves, traitors and murderers, in the ruthless and the cunning, a deep beauty - a sunken beauty.
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Beauty has no other origin than the singular wound, different in every case, hidden or visible, which each man bears within himself, which he preserves, and into which he withdraws when he would quit the world for a temporary but authentic solitude
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When we see life, we call it beautiful. When we see death, we call it ugly. But it is more beautiful still to see oneself living at great speed, right up to the moment of death.
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By stretching language we'll distort it sufficiently to wrap ourselves in it and hide.
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The pimp has a grin, never a smile.
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Power may be at the end of a gun, but sometimes it's also at the end of the shadow or the image of a gun.
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First of all, don't mix your hairpins up with mine! You .... Oh! All right, mix your muck with mine. Mix it! Mix your rags with my tatters! Mix it all up.
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A great wind swept over the ghetto, carrying away shame, invisibility and four centuries of humiliation. But when the wind dropped people saw it had been only a little breeze, friendly, almost gentle.
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In reviewing my life, in tracing its course, I fill my cell with the pleasure of being what for want of a trifle I failed to be, recapturing, so that I may hurl myself into them as into dark pits, those moments when I strayed through the trap-ridden compartments of a subterranean sky
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I give the name violence to a boldness lying idle and enamored of danger.
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Would Hamlet have felt the delicious fascination of suicide if he hadn't had an audience, and lines to speak?
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It's a true image, born of a false spectacle.
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What I did not yet know so intensely was the hatred of the white American for the black, a hatred so deep that I wonder if every white man in this country, when he plants a tree, doesn't see Negroes hanging from its branches.
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Repudiating the virtues of your world, criminals hopelessly agree to organize a forbidden universe. They agree to live in it. The air there is nauseating. They can breathe it.
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Solitude, as I understand it, does not signify an unhappy state, but rather secret royalty, profound incommunicability yet a more or less obscure knowledge of an invulnerable singularity.
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We know that their adventures are childish. They themselves are fools. They are ready to kill or be killed over a card-game in which an opponent - or they themselves - was cheating. Yet, thanks to such fellows, tragedies are possible.
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In order to weep, I had descended to the realm of the dead themselves, to their secret chambers, led by the invisible but soft hands of birds down stairways which were folded up again as I advanced. I displayed my grief in the friendly fields of death, far from men: within myself.
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If we behave like those on the other side, then we are the other side. Instead of changing the world, all we'll achieve is a reflection of the one we want to destroy.
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Betrayal is beautiful.
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The despondency that follows makes me feel somewhat like a shipwrecked man who spies a sail, sees himself saved, and suddenly remembers that the lens of his spyglass has a flaw, a blurred spot -- the sail he has seen.
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