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The main object of a revolution is the liberation of man... not the interpretation and application of some transcendental ideology.

Jean Genet

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Jean Genet
Age: 75 †
Born: 1910
Born: December 19
Died: 1986
Died: April 15
Author
Film Director
Film Editor
Military Personnel
Novelist
Playwright
Poet
Screenwriter
Writer
Paris
France
Interpretation
Liberation
Ideology
Main
Object
Revolution
Transcendental
Objects
Rebellious
Men
Application

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I recognize in thieves, traitors and murderers, in the ruthless and the cunning, a deep beauty - a sunken beauty.
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Perhaps all music, even the newest, is not so much something discovered as something that re-emerges from where it lay buried in the memory, inaudible as a melody cut in a disc of flesh. A composer lets me hear a song that has always been shut up silent within me.
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First of all, don't mix your hairpins up with mine! You .... Oh! All right, mix your muck with mine. Mix it! Mix your rags with my tatters! Mix it all up.
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Repudiating the virtues of your world, criminals hopelessly agree to organize a forbidden universe. They agree to live in it. The air there is nauseating. They can breathe it.
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What we need is hatred. From it our ideas are born.
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I wanted to swallow myself by opening my mouth very wide and turning it over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is how I see the end of the world.
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I give the name violence to a boldness lying idle and enamored of danger.
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Every premeditated murder is always governed by a preparatory ceremonial and is always followed by a propitiatory ceremonial. The meaning of both eludes the murderers mind.
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The vaporish cocaine loosens the contours of their lives and sets their bodies adrift, and so they are untouchable.
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Solitude, as I understand it, does not signify an unhappy state, but rather secret royalty, profound incommunicability yet a more or less obscure knowledge of an invulnerable singularity.
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In reviewing my life, in tracing its course, I fill my cell with the pleasure of being what for want of a trifle I failed to be, recapturing, so that I may hurl myself into them as into dark pits, those moments when I strayed through the trap-ridden compartments of a subterranean sky
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When the judge calls the criminal's name out he stands up, and they are immediately linked by a strange biology that makes them both opposite and complementary. The one cannot exist without the other. Which is the sun and which is the shadow? It's well known some criminals have been great men.
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What I did not yet know so intensely was the hatred of the white American for the black, a hatred so deep that I wonder if every white man in this country, when he plants a tree, doesn't see Negroes hanging from its branches.
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Power may be at the end of a gun, but sometimes it's also at the end of the shadow or the image of a gun.
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I don't want to disappear.
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Men endowed with a wild imagination should have, in addition, the great poetic faculty of denying our universe and its values so that they may act upon it with sovereign ease.
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It's a true image, born of a false spectacle.
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Would Hamlet have felt the delicious fascination of suicide if he hadn't had an audience, and lines to speak?
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Crimes of which a people is ashamed constitute its real history. The same is true of man.
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A great wind swept over the ghetto, carrying away shame, invisibility and four centuries of humiliation. But when the wind dropped people saw it had been only a little breeze, friendly, almost gentle.
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