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The runner stopped dead, lost his balance, froze in one of those violent attitudes in which the photographers petrify living reality.

Jean Cocteau

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Jean Cocteau
Age: 74 †
Born: 1889
Born: July 5
Died: 1963
Died: October 11
Actor
Composer
Designer
Film Director
Illustrator
Librettist
Novelist
Painter
Photographer
Playwright
Poet
Postage Stamp Designer
Prosaist
Clément Eugène Jean Pierre Cocteau
Zhan Kokto
Eugène Jean Maurice Cocteau
Eugene Jean Maurice Cocteau
Jean Cocteau
Reality
Stopped
Photographer
Violent
Balance
Froze
Dead
Runner
Attitude
Photographers
Living
Runners
Lost
Attitudes

More quotes by Jean Cocteau

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Since it's now fashionable to laugh at the conservative French Academy, I have remained a rebel by joining it.
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The cinema is death at work.
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The speed of a runaway horse counts for nothing.
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The artist must know how far to go too far.
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I have never felt any connection with my family. There is—I must say simply—something in me that is not in my family. That was not visible in my father or mother. I do not know its origin.
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Such is the role of poetry. It unveils, in the strict sense of the word. It lays bare, under a light which shakes off torpor, the surprising things which surround us and which our senses record mechanically.
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A prig always finds a last refuge in responsibility.
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The prettiest dresses are worn to be taken off.
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Everything one does in life, even love, occurs in an express train racing toward death. To smoke opium is to get out of the train while it is still moving. It is to concern oneself with something other than life or death.
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Youth is certain what it rejects before it knows what it will accept.
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It seems to me that invisibility is the required provision of elegance. Elegance ceases to exist when it is noticed.
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The public is never pleased with what we do, wanting always a copy of what we have done.
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The preservation of friendship is seen as opportunism. You are required to be in one camp or the other. You are enjoined to cut your heartstrings if they extend across the barricade.
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Take a commonplace, clean it and polish it, light it so that it produces the same effect of youth and freshness and originality and spontaneity as it did originally, and you have done a poet's job. The rest is literature.
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Perhaps I know to what extent I can go too far.
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The actual tragedies of life bear no relation to one's preconceived ideas. In the event, one is always bewildered by their simplicity, their grandeur of design, and by that element of the bizarre which seems inherent in them.
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How our old friend [Michelangelo] of the Sistine would have loved to photograph his workers, perched on the fragile planks. Dali was right to say Leonardo only worked from photographs.
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Alas! I do not believe that inspiration falls from heaven. think it rather the result of a profound indolence.
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What uniform can I wear to hide my heavy heart? It is too heavy. It will always show. Jacques felt himself growing gloomy again. He was well aware that to live on earth a man must follow its fashions, and hearts were no longer worn.
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At all costs the true world of childhood must prevail, must be restored that world whose momentous, heroic, mysterious quality is fed on airy nothings, whose substance is so ill-fitted to withstand the brutal touch of adult inquisition.
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