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How our old friend [Michelangelo] of the Sistine would have loved to photograph his workers, perched on the fragile planks. Dali was right to say Leonardo only worked from photographs.
Jean Cocteau
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Jean Cocteau
Age: 74 †
Born: 1889
Born: July 5
Died: 1963
Died: October 11
Actor
Composer
Designer
Film Director
Illustrator
Librettist
Novelist
Painter
Photographer
Playwright
Poet
Postage Stamp Designer
Prosaist
Clément Eugène Jean Pierre Cocteau
Zhan Kokto
Eugène Jean Maurice Cocteau
Eugene Jean Maurice Cocteau
Jean Cocteau
Would
Photographs
Fragile
Photograph
Planks
Workers
Sistine
Worked
Dali
Friend
Perched
Loved
Michelangelo
Right
Leonardo
More quotes by Jean Cocteau
Film will only became an art when its materials are as inexpensive as pencil and paper.
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The joy of youth is to disobey but the trouble is that there are no longer any orders.
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True realism consists in revealing the surprising things which habit keeps covered and prevents us from seeing.
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May the devil himself splatter you with dung.
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One must be a living man and a posthumous artist.
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Since it's now fashionable to laugh at the conservative French Academy, I have remained a rebel by joining it.
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Childhood knows what it wants - to leave childhood behind.
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And now I have to confess the unpardonable and the scandalous. I am a happy man. And I am going to tell you the secret of my happiness. It is quite simple. I love mankind. I love love. I hate hate. I try to understand and accept.
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The greatest masterpiece in literature is only a dictionary out of order.
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An artist cannot speak about his art any more than a plant can discuss horticulture.
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A film is a petrified fountain of thought.
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I succeeded in bewitching a fair number and in being intoxicated with my mistakes.
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The audience bursts into laughter. With the tragic gag I don't expect the audience to laugh (if they do, I have failed) but I expect a black silence from them that is almost as violent: as laughter.
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Since the day of my birth, my death began its walk. It is walking toward me, without hurrying.
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Poetry is a religion without hope. The poet exhausts himself in its service, knowing that, in the long run, a masterpiece is nothing but the performance of a trained dog on very shaky ground.
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The ultimate politeness in art consists of speaking only to those who are able to uncover and measure its relationships. Anything else is symbolic, and symbolism is merely transcendental imagery.
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What is style? For many people, a very complicated way of saying very simple things. According to us, a very simple way of saying very complicated things.
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One of the characteristics of the dream is that nothing surprises us in it. With no regret, we agree to live in it with strangers, completely cut off from our habits and friends.
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The poet is at the disposal of the night. His role is humble, he must clean house and await its due visitation.
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The speed of a runaway horse counts for nothing.
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