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The image is not a medium for which we have to find the proper use. It is what it is and it is beyond all our moral considerations. It is by its essence immoral, and the world's becoming-image is an immoral process.
Jean Baudrillard
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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Process
Mediums
Use
Consideration
Find
Proper
World
Image
Essence
Beyond
Considerations
Becoming
Immoral
Moral
Medium
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Genius is childhood recaptured.
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Welcome to the Desert of the Real.
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The Yuppies are not defectors from revolt, they are a new race, assured, amnestied, exculpated, moving with ease in the world of performance, mentally indifferent to any objective other than that of change and advertising.
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Sadder than destitution, sadder than a beggar is the man who eats alone in public. Nothing more contradicts the laws of man or beast, for animals always do each other the honor of sharing or disputing each other's food.
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Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers - and in people's minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.
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the neighborhood is nothing but a protective zone- remodeling, disinfection, a snobbish and hygenic design- but above all in a figurative sense: it is a machine for making emptiness.
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The simulacrum is never that which conceals the truth--it is the truth which conceals that there is none. The simulacrum is true.
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Prophesying catastrophe is incredibly banal. The more original move is to assume that it has already happened.
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In the same way that we need statesmen to spare us the abjection of exercising power, we need scholars to spare us the abjection of learning.
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Kitschis one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of trashy, sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the cliché in discourse.
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The desert is no longer a landscape, it is a pure form produced by the abstraction of all others.
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Every woman is like a time-zone. She is a nocturnal fragment of your journey. She brings you unflaggingly closer to the next night.
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I hesitate to deposit money in a bank. I am afraid I shall never dare to take it out again
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Like dreams, statistics are a form of wish fulfillment.
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The repentant, run-to-seed ultra-Leftists who have converted to humanitarianism, artificial inseminators of the widow and the orphan, themselves orphans of reality and malades imaginaires of politics, premature ejaculators of posthistory and hyperchondriacs of the dead body of ideology and morality.
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Every photographed object is merely the trace left behind by the disappearance of all the rest. It is an almost perfect crime, an almost total resolution of the world, which merely leave the illusion of a particular object shining forth, the image of which then becomes an impenetrable enigma.
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Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
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There is nothing more mysterious than a TV set left on in an empty room. It is even stranger than a man talking to himself or a woman standing dreaming at her stove. It is as if another planet is communicating with you.
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For the heavenly fire no longer strikes depraved cities, it is rather the lens which cuts through ordinary reality like a laser, putting it to death.
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This is what terrorism is occupied with as well: making real, palpable violence surface in opposition to the invisible violence of security.
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