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Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images.
Jean Baudrillard
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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Photography
Society
Exorcism
Masks
Bourgeois
Primitive
Mask
Images
Mirrors
More quotes by Jean Baudrillard
Feelings are never true. They play with their mirrors.
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If you say, I love you, then you have already fallen in love with language, which is already a form of break up and infidelity.
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You are born modern, you do not become so.
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It is the task of radical thought, since the world is given to us unintelligibly, to make it more unintelligible, more enigmatic, more fabulous.
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The war was won on both sides: by the Vietnamese on the ground, by the Americans in the electronic mental space. And if the one side won an ideological and political victory, the other made Apocalypse Now and that has gone right around the world.
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Y a-t-il plus belle parodie de l'éthique de la valeur que de se soumettre avec toute l'intransigeance de la vertu aux données du hasard ou à l'absurdité d'une règle?
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We are becoming like cats, slyly parasitic, enjoying an indifferent domesticity. Nice and snug in the social, our historic passions have withdrawn into the glow of an artificial coziness, and our half-closed eyes now seek little other than the peaceful parade of television pictures.
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Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
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The liberated man is not the one who is freed in his ideal reality, his inner truth, or his transparency he is the man who changes spaces, who circulates, who changes sex, clothes, and habits according to fashion, rather than morality, and who changes opinions not as his conscience dictates but in response to opinion polls.
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The most embarrassing part of the film is that the new problem posed by simulation is confused with its classical, Platonic treatment ... The Matrix is surely the kind of film about the matrix that the matrix would have been able to produce.
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We live in a world where there is more and more information, and less and less meaning.
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In days gone by, we were afraid of dying in dishonor or a state of sin. Nowadays, we are afraid of dying fools. Now the fact is that there is no Extreme Unction to absolve us of foolishness. We endure it here on earth as subjective eternity.
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Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated.
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We shall never resolve the enigma of the relation between the negative foundations of greatness and that greatness itself.
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Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.
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The desert is a natural extension of the inner silence of the body.
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Simulation is the situation created by any system of signs when it becomes sophisticated enough, autonomous enough, to abolish its own referent and to replace it with itself.
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Pornography is the quadraphonics of sex. It adds a third and fourth track to the sexual act. It is the hallucination of detail that rules. Science has already habituated us to this microscopics, this excess of the real in its microscopic detail, this voyeurism of exactitude.
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Animals have no unconscious, because they have a territory. Men have only had an unconscious since they lost a territory.
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