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Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images.
Jean Baudrillard
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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Bourgeois
Primitive
Mask
Images
Mirrors
Photography
Society
Exorcism
Masks
More quotes by Jean Baudrillard
The opposite of knowledge is not ignorance, but deceit and fraud.
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Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.
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Animals have no unconscious, because they have a territory. Men have only had an unconscious since they lost a territory.
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The desert is a natural extension of the inner silence of the body. If humanity's language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity's disappearance.
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We live in a world where there is more and more information, and less and less meaning.
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We shall never resolve the enigma of the relation between the negative foundations of greatness and that greatness itself.
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The multiplication of individual sects should not fool us: the important point is that the whole of America is preoccupied with the sect as a moral institution, with its immediate demand for beatification, its material efficacity, its compulsion for justification, and doubtless also with its madness and frenzy.
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A successful object is one which exists beyond its own reality, which creates a dual (and not merely interactlve) relation (with its users also), a relation of contradiction, misappropriation and destablilisation.
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America is the original version of modernity. We are the dubbed or subtitled version. America ducks the question of origins it cultivates no origin or mythical authenticity it has no past and no founding truth. Having known no primitive accumulation of time, it lives in a perpetual present.
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Art does not die because there is no more art. It dies because there is too much.
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... the age of simulation thus begins with a liquidation of all referentials - worse: by their artificial resurrection in systems of signs, a more ductile material than meaning... It is no longer a question of imitation, nor of reduplication, nor even of parody. It is rather a question of substituting signs of the real for the real itself.
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A negative judgment gives you more satisfaction than praise, provided it smacks of jealousy.
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To love someone is to isolate him from the world, wipe out every trace of him, dispossess him of his shadow, drag him into a murderous future. It is to circle around the other like a dead star and absorb him into a black light.
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The desert is no longer a landscape, it is a pure form produced by the abstraction of all others.
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Y a-t-il plus belle parodie de l'éthique de la valeur que de se soumettre avec toute l'intransigeance de la vertu aux données du hasard ou à l'absurdité d'une règle?
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There are only a few images that are not forced to provide meaning, or have to go through the filter of a specific idea.
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For me, the photography, in its purest form, is a variant of the fable. Another way of saving the appearances - a way of signifying, through this fabulous capture, that this supposed real world is always about to lose its meaning and its reality.
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If you assume any rate of improvement at all then the games will become indistinguishable from reality. It would seem to follow that the odds that we are in base reality would be one in billions.
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Every photographed object is merely the trace left behind by the disappearance of all the rest. It is an almost perfect crime, an almost total resolution of the world, which merely leave the illusion of a particular object shining forth, the image of which then becomes an impenetrable enigma.
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Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
Jean Baudrillard