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It is the corpse of the bourgeoisie that separates us. With us, it is that class that is the carrier of the chromosome of banality.
Jean Baudrillard
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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Banality
Carrier
Bourgeoisie
Corpse
Separates
Corpses
Class
Chromosome
Chromosomes
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The desert is a natural extension of the inner silence of the body.
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The simulacrum is never that which conceals the truth--it is the truth which conceals that there is none. The simulacrum is true.
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The era of the political was one of anomie: crisis, violence, madness and revolution. The era of the trans-political is that of anomaly: an aberration of no consequence, contemporaneous with the event of no consequence.
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Kitschis one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of trashy, sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the cliché in discourse.
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Man has lost the basic skill of the ape, the ability to scratch its back. Which gave it extraordinary independence, and the liberty to associate for reasons other than the need for mutual back-scratching.
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The order of the world is always right - such is the judgment of God. For God has departed, but he has left his judgment behind, the way the Cheshire Cat left his grin.
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At male strip shows, it is still the women that we watch, the audience of women and their eager faces. They are more obscene than if they were dancing naked themselves.
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Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers - and in people's minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.
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Postmodernity is said to be a culture of fragmentary sensations, eclectic nostalgia, disposable simulacra, and promiscuous superficiality, in which the traditionally valued qualities of depth, coherence, meaning, originality, and authenticity are evacuated or dissolved amid the random swirl of empty signals.
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Art does not die because there is no more art. It dies because there is too much.
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Welcome to the Desert of the Real.
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It is not enough for theory to describe and analyze, it must itself be an event in the universe it describes.
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There is no human reason to be here, except for the sheer ecstasy of being crowded together.
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Disneyland is presented as imaginary in order to make us believe that the rest is real.
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We shall never resolve the enigma of the relation between the negative foundations of greatness and that greatness itself.
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There is nothing more mysterious than a TV set left on in an empty room. It is even stranger than a man talking to himself or a woman standing dreaming at her stove. It is as if another planet is communicating with you.
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Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.
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We are no longer dealing with historical events, but with places of collapse.
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There are only a few images that are not forced to provide meaning, or have to go through the filter of a specific idea.
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The sumptuous age of stars and images is reduced to a few artificial tornado effects, pathetic fake buildings, and childish tricks which the crowd pretends to be taken in by to avoid feeling too disappointed. Ghost towns, ghost people. The whole place has the same air of obsolescence about it as Sunset or Hollywood Boulevard.
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